Word: delacroix
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...photographers. At the Musée d'Orsay, Manet/Velázquez, The Spanish Manner in the 19th Century documents the influence of the great 17th and 18th century Spanish painters - Velázquez, Mur?llo, Zurbarán, Ribéra, Goya - on such 19th century French artists as Manet, Delacroix, Chassériau and Courbet. What the French learned from their Spanish predecessors was a gritty realism previously unknown in France's academic art world - ordinary subjects like beggars and street urchins, freely painted, with color used to sculpt volume and the daring use of black. One caveat: the curators...
...that was seen at the Prado in Madrid last winter--one realizes what depth and intensity Goya brought to seeing his world. The late 18th and early 19th century in Europe had portraitists who could extract gripping narratives of sympathy and experience from the individual human face and body. Delacroix, Ingres, David--it is a long and glorious list. But the most fascinating of them is surely Goya, which is all the more remarkable because he was so much alone, a man without colleagues or rivals in his culture. (He left Spain only twice--first when he was too young...
...exhibit's collection of van Gogh's studies for his first masterpiece, 'The Potato Eaters' (1885), the final version of which is not included in the show. Van Gogh was upset with the reception of this painting, moved briefly to Antwerp, where his brother Theo introduced him to Delacroix's color theory, and then landed in Paris...
...watch, provide a small degree of comic relief, but the main source of smiles comes in the form of a mouse named Mr. Jingles. The curious mouse, discovered on the floor of the Green Mile by the guards, becomes the pet of one of the inmates, Eduard Delacroix (Michael Jeter). The image of a convicted killer giggling uncontrollable over the antics of his pet mouse is a poignant one, and it remains as a symbolic notion that even a place as somber as the Green Mile is not totally devoid of innocence and laughter...
...realization that there is more to his murderous past than he is letting on. In Percy (perhaps the most despicably obnoxious character ever to grace the silver screen), he recognizes the arrogance and sheer malice that is most intensely manifested in his cruelty towards the inmate Eduard Delacroix. First, he breaks his fingers with his billy club; then, he crushes Mr. Jingles beneath his boot, necessitating John's magic to bring him back; and, most horribly of all, he neglects to wet the sponge during Delacroix's execution (the wet sponge on top of the prisoner's head conducts electricity...