Word: delight
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Dates: during 1960-1969
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Along with the Kaiser interest, Ford is buying a 14% share in Willys-Overland do Brasil held by Renault of France, whose Gordinis roll off the same assembly lines. The remaining shares are held by 45,000 Brazilian investors who now, to their delight, become partners of Henry Ford. Renault, which is Kaiser's partner in an Argentine car company called Industrias Kaiser Argentina, will acquire a controlling share of that firm. Renault will buy up a major part of Kaiser's 30% interest, as well as 14% held by two Argentine banks. Ford will also acquire Transax...
...minor actors vary greatly in their portrayals of stock characters, but they do not dampen Anouilh's gluttonous delight in vice, comedy, and toying with an audience...
Cottle found that middle-class dancing is characterized by "intimate aloneness," particularly in the woman. "Dressed in tight fitting stretch pants and sweater, she stations herself in a self-appointed precinct and moves to the delight of her partner and audience ... slowly undulating beneath soft lights, hands together behind her head, eyes closed, and sensuously involved in her private excitation...
...stops pulled out, with astonishing insight and energy. We always know where each character stands, exactly what the chorus feels. Joan Tolentino and William Bramhall play a heart-rending scene that leaves no doubt about the horror of execution; later, in a living newspaper scene, the chorus takes hysterical delight in an execution. Both times we are strongly affected because both times the actors' pjositions are deeply clear. In a universally good cast, Dan Deitch stands out for his droll performance of a machine-like soldier, and Mardee Kravit for the complex, funny woman she makes of a doe-eyed...
Stronger on imagination than realization, Expo's films offer the viewer the exploratory delight of watching a new kind of cinema in the process of being born. Much like the Fauves and Cubists of painting. Expo's directors and cameramen at their best seem to have found a new way of interpreting and reproducing the imagery of life. Much of the expertise has been expended on trompe-l'oeil techniques that clearly have no place in the commercial film of today, or even tomorrow. Yet such visual delights as Labyrinth and Kane's three-screened children...