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Word: delightfully (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

MENCKEN--excellently portrayed by Brian McCue '81--chortles with delight over Superman's fall from glory. Tweaking his moustache and swaggering with nebbish aplomb, McCue belts out his song, "So Long, Big Guy." McCue's expressive face, quizzical eyebrows, and fussy gestures clinch his characterization of the oily little reporter. He's such a wise guy, you feel like giving him a slap in the face...

Author: By Mary G. Gotschall, | Title: Faster Than a Speeding Bullet | 11/8/1978 | See Source »

...Perhaps no one else on the ship could understand why Shelley and I felt such a deep surge of excitement. We were back in China. Like nearly everyone else who has lived there, we felt it was a delight to return...

Author: /time Magazine | Title: A Letter From The Publisher, Oct. 23, 1978 | 10/23/1978 | See Source »

...stone steps, is the Cloud-Catching Pavilion. A little pleasance in Wusih has been known for 470 years as Leave Your Pleasure Garden-ever since the man who built it was summoned to high office in far-off Peking and, not being able to take his heart's delight with him, bequeathed it to the populace. The spectacular park in Soochow bears, after 41/2 centuries, the sardonic name of Humble Administrator's Garden; the grounds were constructed over 16 years by a corrupt official who was anything but hum ble. After his death it was gambled away...

Author: /time Magazine | Title: Special Report: China Says: Ni hao! | 10/23/1978 | See Source »

...model for Ian Fleming's notorious character, Goldfinger, who attempted to monopolize the world's gold reserves. (Fleming and Engelhard had some business dealings in London during the late '40s, just when Engelhard was starting to build his gold empire.) Engelhard never denied this possibility, and often seemed to delight in the suggestion...

Author: By Jonathan D. Ratner, | Title: Goldfinger Buys a Library | 10/13/1978 | See Source »

Bunuel seems to take a perverse delight in pointing up bourgeois foibles; with a hint of a sneer, he rips away the veils of middle-class civilization and urbanity. His knocking down of social myths proceeds largely along the class lines so clearly defined in modern European consciousness. One gets a sense, watching a Bunuel film, that he's not only shattering myths, he's mounting a vaguely Marxist attack on false consciousness...

Author: By Andrew T. Karron, | Title: Altman: Hitting the Myth | 10/12/1978 | See Source »

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