Word: delights
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Dates: during 1920-1929
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...sports . . . all very well, for those who still play with the zest of youth; here at Harvard, a tired savoir faire is said to have taken their place. Harvard might, indeed, merely sigh, or even yawn, if this were true, but, sadly enough for the erudite gentlemen who delight in classifying the University and all its contents with one clever phrase, not all the instinct of curiosity is purged by a dose of indifference. There are fire-engines and fireengines, but a whole laboratory class in Boylston will rush to the windows to watch one rush down Massachusetts Avenue (although...
...record. Then, suppose Candidate Hoover is allowed more and more to inherit the Coolidge virtues, record and support. The effect upon Candidate Hoover might be to make him thoroughly conscious of his party obligations, his privilege. The effect upon his friends might be to fill them with a delight more keenly felt after anxiety. The effect upon the country might be to make the Hoover candidacy seem inevitable, irresistible. Meantime, right up to the moment the balloting begins and "potential" strength is demonstrated, the powers-that-are in the G. O. P. would remain poised upon the Rock of Plymouth...
...Love and delight therein are better teachers of the art of painting than compulsion...
...fortunate compulsion. Twins, are among the most engrossing of human phenomena. Twins are principal characters in The Bridge of San Luis Rey, brilliant best-selling novel by Thornton Wilder, himself one of twins. Almost every person includes in his acquaintance a pair of twins and contemplates their doings with delight and astonishment. For this reason, a wide interest attaches itself to a research begun last week by the University of California. Learned faculty members planned to assemble 500 pairs of twins and to study, with the utmost care, the details of their likenesses or their dissimilarities. A similar research...
...artists, more especially U. S. artists with radical theories, are often heard to whine and mumble because men with money, i. e., art patrons, prefer to buy the works of "old masters." These whining, muttering artists are to some extent justified. But what must have been their surprise, their delight mixed with dismay, to learn, last week, that an anonymous art patron, i. e., a man with money, had spent $41,000 for 32 of the works of John Sloan, famed extant U. S. painter, president of the ultra-radical Society of Independent Artists...