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Some professors openly encourage ceptsmanship, stress the cept in their lectures, argue that students who retain the cepts acquire an understanding that goes beyond a rote knowledge of who said what. These teachers may also delight in the cept as a handy way of rating the quality of a student's essay in quantitative terms. They merely scan the essay, underline the cepts, assign a numerical value to each, and tot them up. Other teachers never admit they are even aware of cepts-but tacitly use them anyway in grading. Superlative ceptsmanship amounts to a canny duel between teacher...

Author: /time Magazine | Title: Teaching: The Use & Abuse of the Cept | 3/26/1965 | See Source »

...your justices know, the matter is still 'under advisement.' " So is just about everything else. "Nobody knows what to do with the pile of old complaints and warrants accumulated over 14 years, and nobody has the courage to throw them away." They will doubtless endure for the delight of "some archaeologist digging in the remains of Amherst." As for himself, says Justice Lincoln, it feels great to be "relieved of the necessity of maintaining the judicial demeanor...

Author: /time Magazine | Title: Courts: Lest the World Forget | 3/26/1965 | See Source »

...fashion's delight and men's despair, women and foundation garments have been inseparable for years. Feast or famine, thick or thin (mostly thick) they have clung to each other, lending ironclad support here (with a corset), whaleboned comfort there (with a waist cincher), out-and-out camouflage (with a wire-braided bustle or a foam-rubber bust) as far as the eye could see. Trouble was, the eye could never see far enough to know for sure where the padding left off and the girl began. Now, at long last, it is all quite clear. Thanks...

Author: /time Magazine | Title: Fashion: The Facts of the Matter | 3/19/1965 | See Source »

...Honda, drives a Lincoln Continental, and bites his nails; publicly, he comes on like an abashed pixie. And the lulled listener may miss the humor in a sound like "good ain't fer ever and bad ain't fer good." Playing tricks with words is his lyrical delight: "The moon is high and so am I / The stars are out, and so will I be-pretty soon. / But come the dawn and it will dawn on me you're gone." That sounds like pretty fluid stuff, particularly the way his pronounced but easily understood accent runs...

Author: /time Magazine | Title: Singers: The Unhokey Okie | 3/19/1965 | See Source »

...scenes and the delight of all producers. "Most designers are masters of a single color," notes Producer David Merrick. "So if the basic color of your show is red, you get so-and-so; if it's green, you get somebody else. You can get Smith for anything." He also proves himself happily at home in all genres and periods-from the romantic realism of his squalid bed-sitter in A Taste of Honey to the sculptural expressionism of his revolving turntable for Dylan. He is also uniquely fast (he splashed out 250 watercolor sketches for Hollywood...

Author: /time Magazine | Title: Broadway: A Man for All Scenes | 3/19/1965 | See Source »

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