Word: delima
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...Isaac E. DeLima, a.k.a. DJ I-Dee, who won the DMC’s USA finals and traveled to the international round in 2005, said that the competition was one of the “toughest battles in the DJ circuit,” testing not only the ability to prepare numerous routines, but also the capacity to stay cool in the face of the accompanying trash talk...
...According to DeLima, a professional DJ and longtime friend of Zornow’s, past DMC champions have used their win to solidify their names in the industry. Zornow said he plans to complete his senior year, but is worried that he has a limited window of opportunity to take his career to the next level...
...mildly bizarre exaggeration, sometimes farcical explosiveness. These two work particularly well together and they fashion Wilde's brilliant Act Two confrontation scene into what is one of the high points of the evening's entertainment. Another image that remains indelibly in my mind is that of Lady Bracknell (Sarah deLima) and her daughter Gwendolen making their first entrance like a battleship with a cruiser in its wake; identical knife-edge profiles at the same angle, the daughter a lesser double of her terrible Mamma. The dialogue in all its sharp cut-glass, epigrammatic brittleness is for the most part well...
Then they jam-packed the stage with British folk singer/tradition bearer David Jones, actors Patrick English, Sarah deLima and Richard Snee, the 40-member Revels Chorus, a merry company of Music Hall "artistes," the Pudding Lane Waits, the Dingley Dell Dancers, a parlor orchestra, the Cambridge Symphonic Brass Ensemble, The Pinewoods Morris Meri and the Rose Galliard Northwest Morris, the Pearly King and Queen, and a fake ferret. Do you know what that means? Again, the press release speaks through me. Basically there are a lot of people on stage, no one is particularly charming or memorable, they do ridiculous...
Unfortunately, DeLima's Moya does not share in the connection binding her children; in fact, she barely seems connected to the play. She wafts in and out of the living room like some brittle hostess from a Victorian drawing-room comedy. Her frantic fussiness and deliberate animation are doubtless intended to conceal her sorrow at the loss of her husband, but instead Moya comes across as a callous coquette concerned only with the progress...