Word: delius
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...pocket by a million pounds ("When I heard it," said Sir Thomas, "I fainted and had to be revived with brandy"). Almost singlehanded, he forced British orchestras away from their slavish loyalty to the Germanic tradition (Beethoven, Brahms, Wagner), won recognition for native composers (Williams, Delius), and introduced such composers as Dvorak, Smetana and Strauss to British concert halls. Perhaps no other conductor of his time performed Mozart with comparable fluency and grace, and few could equal him in his communion with those other 18th century masters, Haydn and Handel. But apart from being a conductor and impresario. Beecham...
...program consisted of items on a smaller scale. John Austin '56 continued his laudable concentration on contrapuntal techniques in his Three Madrigals for flute, violin, 'cello and piano, and Five Fugal Pieces for two violins and viola. These pieces preserved his customary refined, conservative, low-voltage, post-Delius style--except the third of the latter group, which fell back into the style of Austin's teacher, Roy Harris. Even in the Madrigals, the linear emphasis extended to the piano parts, which maintained melodic interest at all times rather than just serving as harmonic background...
Rolling into Cleveland to shake a baton at the local symphony orchestra this week, Britain's spleeny maestro, Sir Thomas Beecham, 76, chomped a 60? cigar and gleefully spat in his host city's eye. Asked how he liked Composer Frederick Delius' Brigg Fair, a featured dish on Beecham's symphonic menu, Sir Thomas said: "It's a very bad piece of music. They'll like it in Cleveland...
World Music Festivals (Sun. 2:30 p.m., CBS). Music by Mozart and Delius at the Bergen (Norway) Festival. Conductor: Sir Thomas Beecham...
Griffes: Pleasure Dome of Kubla Khan (Eastman-Rochester Symphony conducted by Howard Hanson; Mercury). Gifted U.S. Composer Charles T. Griffes (1884-1920) here gets the first LP of his biggest orchestral effusion. Like his better-known White Peacock (also on this record), it proves him to be the American Delius; the style falls somewhere between French impressionism and German tone poems...