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...move quickly into positions to counter a "French" invasion, but from there on what would happen is guesswork. In last week's maneuvers it disposed of the imaginary enemy after several days of "fighting" and pressed on toward Mt. Thabor, an Italian bastion jutting deep into France. Corriere della Sera chestily observed: "If it were possible to carry out the experiment beyond the frontier realism would be perfect...

Author: /time Magazine | Title: ITALY: Army of the Po | 8/14/1939 | See Source »

Notwithstanding his reticence, however, there was quite a celebration for Signor Mussolini. He came down from his mountain retreat at Rocca della Caminate in Romagna, to Predappio, his birthplace in the valley below, where 10,000 peasants from all parts of Italy greeted him with gifts of wine, fruit, spaghetti, cheese, olive oil. He reviewed them, told them his spirit was "unchangeably rural." They in turn filed past the tomb of Alessandro and Rosa Maltoni Mussolini, Il Duce's parents, visited the house where Benito Mussolini was born and the blacksmith shop where his father worked...

Author: /time Magazine | Title: ITALY: Quo Vadis, Duce? | 8/7/1939 | See Source »

What Tiberius looked like must still remain unknown despite the panels lately found under the Palazzo della Cancelleria, incidentally the most impressive artistic discovery made in Rome since the days of the Renaissance. In reporting that the main figure on the panels was the morose Emperor, TIME (June 12) was repeating an early opinion of their discoverer, Dr. Filippo Maggi. Yesterday, before the Pontifical Academy of Archeology, Dr. Maggi corrected himself, proved to many, but not all, the academicians' satisfaction that the emperor in question is Vespasian, that perhaps another figure in the marble pageant is Domitian. The Cancelleria...

Author: /time Magazine | Title: Letters, Jul. 17, 1939 | 7/17/1939 | See Source »

...research, I recently found, for the period between 1925 and 1930, forty-eight articles on mediaeval art, twenty-two on Renaissance and Baroque Art, and one on Modern Art. Perhaps it is because the critical apparatus of most scholars is so beautifully equipped to deal with Masaccio and Piero della Francesca that it finds itself at a loss when confronted by Dali and Gropper. At a symposium on Modern Art some years ago, I heard a scholar who has written much and wisely on the art of the Italian Renaissance attempt, quite unsuccessfully, to cope with some of the more...

Author: NO WRITER ATTRIBUTED | Title: SMITH TEACHER HITS ART INSTRUCTION | 4/15/1939 | See Source »

...intruders. "Extra Omnes!" cried a dozen masters of ceremonies-"Everybody out!" The heavy bronze door of San Damaso creaked shut. Six keys clicked in its locks, three on the inside turned by the Camerlengo of the Holy Roman Church, three on the outside by Prince-Marshal Ludovico Chigi Albani della Rovere. The papal flag was hauled down, the silken banner of the Chigi family hoisted in its stead. The conclave of 62 Princes of the Church, immured in the Sistine Chapel to elect the 262nd Pope, had begun...

Author: /time Magazine | Title: Religion: Habemus Papam | 3/13/1939 | See Source »

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