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Conductor James Walker assembled a concert program that was sophisticated by anyone's standards. Except for the Sousa-like Emblem of Unity at the beginning, the pieces performed were thoroughly twentieth-century, ranging in date from Kurt Weill's Kleine Dreigroschen-musik (1929) to Dello Joio's Variations on a Medieval Tune...

Author: By Robert G. Kopelson, | Title: Harvard University Band | 4/17/1967 | See Source »

Italians were equally bitter when their highly rated team was knocked out of the race by the tournament's lowest-rated contenders, the North Koreans. Rome's Corriere Dello Sport ran a one-word headline: SHAME! In Parliament, a neo-Fascist deputy pointed to Italy's defeat as the sign that a new Duce was needed to rescue the nation's fading honor...

Author: /time Magazine | Title: Games: Global Fever | 7/29/1966 | See Source »

...Dello Joio: Fantasy and Variations (Lorin Hollander, pianist; Boston Symphony Orchestra; RCA Victor) is here given an appropriately spirited performance by the young pianist who played its world première last year. It is music for a virtuoso pianist and a game orchestra. So is the cheerful Ravel Concerto in G on the other side...

Author: /time Magazine | Title: Cinema: May 24, 1963 | 5/24/1963 | See Source »

...Overture, which was at least close to the proper emotions for a Bogey festival, but this fall, the horns will sound the spaces between the theatre's showings of Hiroshima Mon Amour, Black Orpheus, and even Can-Can. Variety is required: for the first of these three, Norman Dello Joio's Air Power Suite would no doubt suffice; a few bar's of Gluck might enliven the second; and Offenbach is the only answer for the third. Certainly other suggestions are possible, but continuing the present entr' acte offerings is worse than playing Frescobaldi at a Yovicsin press conference...

Author: NO WRITER ATTRIBUTED | Title: To Soothe the Savage Beast | 10/23/1961 | See Source »

...Dello Joio had his own opening-night forebodings about Blood Moon. "Conservative people will think it's too modern," said he, "and modern-minded people will think it's too conservative." He got no argument. "I don't like any opera in English," huffed one white-tie traditionalist, and most critics were upset that Dello Joio had used a 19th century idiom. Still, the opera had its redeeming features. If the music lacked the strength of a Verdi opera, it was consistently melodious, at times truly lyrical. If the plot was melodramatic, it gave hints of Dello...

Author: /time Magazine | Title: Music: Time Will Decide | 9/29/1961 | See Source »

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