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...Summer School Chorus is preparing for its annual concert on Thursday, August 13th. This year's program will include choruses from Handel's oratorio Solomon, motets and madrigals of the Renaissance and the Twentieth Century, the Solemn Vespers by Mozart, and the Ode to St. Cecelia by Norman Dello Joio...

Author: NO WRITER ATTRIBUTED | Title: Summer Chorus | 7/16/1959 | See Source »

Composer George Rochberg, 40, has a distaste for "the terribly logical ways of classical music" and a yen for the rockier paths of atonality. Composer Norman Dello Joio, 46, is an unabashed romantic with a lucidly lyrical touch and scorn for the "black-noted paper" school of composers, who "feel sorry for themselves because they are misunderstood." Last week Composers Rochberg and Dello Joio each unveiled new works...

Author: /time Magazine | Title: Music: Premieres | 3/9/1959 | See Source »

...Dello Joio's 15-minute cantata performed in Kansas City was adapted from Poet John Dryden's famed A Song for St. Cecilia's Day, a poem intended, in Dello Joio's words, as "a big hymn glorifying music in the cosmic sense-the miracle of it all." Sung by the University of Kansas Choir with brass accompaniment, the work often had the rich sonority of a cathedral organ. A simple, stirring work with no sharply dissonant edges, the cantata was marked by the melodic interplay of brasses and voices and by some stunningly lush vocal...

Author: /time Magazine | Title: Music: Premieres | 3/9/1959 | See Source »

...Composer Dello Joio describes the work as "ecstatic," and the delighted audience agreed with him. Conductor Clayton Krehbiel described it more prosaically: "I thought we were going to blow the listeners out of the room...

Author: /time Magazine | Title: Music: Premieres | 3/9/1959 | See Source »

Last week Engineer Nervi's latest building, Rome's Palazzetto dello Sport (see color pages) was in full operation with a solid calendar of basketball games, boxing matches and fencing competitions. Neither the appreciative spectators, gazing at the soaring, concrete-ribbed dome free of any obstructing pillars, nor the art critics, who praised it as "a masterpiece of creative genius ... perfection," would believe that Nervi had no esthetic scheme in mind. But it was a fact that he had merely worked out an orderly system for transmitting the flow of the great dome's stress along...

Author: /time Magazine | Title: Art: POETRY IN CONCRETE | 11/11/1957 | See Source »

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