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Word: delon (lookup in dictionary) (lookup stats)
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Moreau hates the cold, so she decided to do a ski-fashion layout as a photographic comic book, shot in a studio. She commissioned Playwright Françoise Dorin to write the scenario and got Actor Jean-Louis Trintignant and Actress Nathalie Delon (Alain's ex) to ham it up while modeling the necessary ski clothes. To caption 21 displays of Christmas-gift ideas, Moreau wrote poetry, which is reproduced in her own handwriting and reveals a whimsical side of the serious seductress...

Author: /time Magazine | Title: The Press: Vogue | 12/28/1970 | See Source »

...other films, Jon Voight flashes a box of Colgate shaving cream, Jack Lemmon munches on Cracker Jack, and Starlet Linda Scott sports a tight T shirt with the name of Bell Helmets rippling across her chest. Jean-Paul Belmondo and Alain Delon, in their latest flick, wear hats made by Italy's G. Borsalino & Fratello Co. The film's title: Borsaliuo. Photographs from the movie are now being used to promote hats in shops...

Author: /time Magazine | Title: Promotion: You've Seen the Movie, Now Read the Ad | 10/12/1970 | See Source »

...plot could have been lifted from a 1933 story conference at Warner Brothers. Siffredi (Alain Delon) is a petty crook, all bile and brilliantine, who goes looking for his girl friend Lola (Catherine Rouvel) after his latest prison term has expired. Stalking the streets of Marseille, he finally finds her happily biding her time with a nattily tailored sharpie named Capella (Jean-Paul Belmondo). Siffredi immediately initiates repossession proceedings. Capella only grins. Siffredi glowers. Capella still grins. Then, of course, they fight. After knocking each other around for a while, over pool tables, into mirrors, across bars, that sort...

Author: /time Magazine | Title: Cinema: Mayhem in Marseille | 8/31/1970 | See Source »

Like its two heroes, Borsalino sets itself up for the kill. It is not clever enough to be a successful parody and not tough enough to be a good genre piece. Delon moves through the picture like a still-warm stiff en route to a comfortable slab in the morgue, but Belmondo, mugging furiously and retaining just the right air of detachment, compensates by providing enough energy for this and at least three other movies. The music is loud and engaging and so are the costumes, which look like something from an old Esquire layout. Men's clothes, indeed...

Author: /time Magazine | Title: Cinema: Mayhem in Marseille | 8/31/1970 | See Source »

...almost all cinematic robberies, things work marvelously well on the mechanical level and fail dismally on the human. Among the cast, Delon is effective as a cold-blooded killer whose attention is invariably diverted whenever one of Papa's daughters-in-law (Irina Demick) slinks across his pearl-handled pistol sights. Immobile and imperturbable of feature, Gabin looks more and more as if his stolid face belonged on a French equivalent of Mount Rushmore. The final and inevitable disintegration of his family may lack the tragic intensity of King Lear, but it will please devotees of The Godfather well...

Author: /time Magazine | Title: Cinema: All in the Family | 4/20/1970 | See Source »

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