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...Ernst's prizewinner was an expert nightmare (see cut). Runners-up: Belgian Paul Delvaux, who sent a study of three disarmingly naked, disarmingly beautiful women in a ruined, neo-classical landscape; Ivan Le Lorraine Albright, for an ulcerous omelet of flesh, fish, snakes and rodents; Salvador Dali, whose desert caravan of spider-legged elephants "carrying on their backs erotic fountains, obelisks, churches and escorials" (see cut) for once was pretty comprehensible...

Author: /time Magazine | Title: Art: Temptations of St. Anthony | 3/25/1946 | See Source »

Among the show's 105 exhibits, including dolls, idols, ceremonial masks by American Indian primitives, was work by Painters Masson, Delvaux, Chagall, Tanguy, Magritte, Vail, Hirshfield. Of those canvases faintly visible behind the 7-ft.-high string cobweb was a huge new Freudian nightmare by Surrealist Ernst. Painted specially for the exhibition, Surrealism & Painting depicted a nest of multicolored bosomy birds, from whose naked, writhing limbs a semihuman arm emerged to paint its creator's conception of the disorderly universe. In the next room hung early canvases by de Chirico; also three recent Picassos, one of which...

Author: /time Magazine | Title: Art: Inheritors of Chaos | 11/2/1942 | See Source »

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