Word: demarest
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Although time was short, a rewarding amount of material eventually reached the desks of Researcher Judith Tyler, Associate Editor Robert Jones and Senior Editor Michael Demarest, who collaborated on the cover story...
...with George Wallace, have listened so often to the basically unchanging content of the candidate's one speech that either man could probably deliver it himself without notes, But much more was needed for this week's cover story, written by Gerald Clarke and edited by Michael Demarest. It was difficult to collect the material because Wallace is a peculiarly uncooperative subject for an interview. Most of the time he is friendly enough; the trouble is, he volunteers little beyond "The Speech." The best part of the assignment, says Williams, "is the outdoor rallies: the signs, the shouting...
Senior Editor Michael Demarest supervised the Nation section story conference, and Chief of Correspondents Dick Clurman deployed his men. Whatever his area of responsibility, each correspondent was looking for the unexpected lead, for the new dimension in a story so thoroughly covered by TV, radio and the rest of the press. Washington Bureau Chief John Steele and Congressional Correspondent Neil MacNeil had roving commissions. Washington's Lansing Lamont covered Rockefeller, and Simmons Fentress stayed with Nixon. At Convention Hall and in the Miami Beach hotels, Los Angeles Bureau Chief Marshall Berges stuck close to Candidate Ronald Reagan; Chicago...
...charge of that section this political year is Senior Editor Michael Demarest, who was a correspondent in the U.S. and abroad, a writer and senior editor in other sections, before he took over The Nation in the summer of 1965. His head researcher is Amelia North, who has been shepherding the section's girls through political campaigns since General Dwight Eisenhower ran for President in 1952. In all, a score of writers, reporters and researchers will be working in the section this election year...
More typical-and more demanding -is the once-a-week film class at Northern Valley Regional High School in Demarest, N.J. Taught by English Teacher Rodney Sheratsky and Documentary Film Maker Eric Camiel, the course includes esthetic theory, film history, and exercises in cinematography, cutting and editing. Students, most of whom borrow their parents' 8-mm. equipment, are required to make one filmlet a week, which is subjected by Camiel to scathing professional criticism. He can be high in his praise for efforts that show both imagination and care-and many do. One of his students this year...