Word: demeanors
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Dates: during 1990-1999
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...employees praised Vallier's demeanor andhandling of their complaints, though theadministration did not act on the matter
...speed on most of those issues will project a sketchy profile. This may account for the different impressions made by Ruth Bader Ginsburg and Clarence Thomas, the court's newest arrivals. The extroversion of Ginsburg, an enthusiastic dancer at parties, has been heartily reflected in her courtroom demeanor -- sometimes to the annoyance of her colleagues. On her first day on the bench last October, she asked a lot of questions, 17 in the first hour alone. Her erudition has impressed legal observers, but her aggressiveness has annoyed litigants and even garnered impatient stares from fellow Justices...
Schnittke's rise to prominence is a tribute to his artistic integrity. His slight frame, perilous health (he has suffered two strokes and a heart attack) and diffident demeanor mask a revolutionary sensibility. As an iconoclast in a country of enforced artistic conformity, Schnittke represented for many of his Soviet countrymen a kind of artistic glasnost long before Gorbachev made it permissible. Stylistically unpredictable and resolutely uncompromising -- there are no "Socialist Realist" elements in his music, no compositions celebrating factories at work or peasants at play -- Schnittke's music is fundamentally deconstructive. It uses the past as raw material...
...They are the two serious characters in a sea of overdramatized and not-so-sauve villians. They work well together in the action scenes that require shooting and keeping track of the money. In scenes requiring extended dialogue, they lapse. When carol goes to visit Doc in prison, her demeanor screams "Barbie on a business trip." She seems like she is visiting her agent before a stroll down the runway of a fashion show. Her tone is flat, her acting bland and the expression in her eyes show profound fixation--on the telepromptor. It is only in the sex scenes...
...players carried the production through with verve. Catherine deLima, playing the spirited Rosalinda, dominated the production with her dynamic voice and smirking facial expressions. Particularly charming was the duet in which deLima seduces Edward Upton (Eisenstein, Rosalinda's husband) in disguise, wielding a Hungarian accent and faintly pouting demeanor to entrap him. Upton provided a good counter-weight to deLima's antics, playing the impish and persecuted husband with an infallible good nature. Although Upton's voice suffered under the daunting orchestra and paled in comparison to his buoyant coplayers, his cutesy acting nonetheless compensated for want of volume...