Word: dementia
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Dates: during 1990-1999
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This atmosphere passed, but 200 years later a similar dementia prevails. Its obsessive objects this time are not the Terror in France and the war between France and England, as they were in 1793. They are moral--or, to be more exact, they are about the rhetoric of morality...
...Madness of King George spreads its story on a broad canvas: the court of a troubled King who is seized by what seems to be dementia. As George III (Hawthorne) loses control, the foppish Prince of Wales (Rupert Everett) plots to seize the throne, while Prime Minister William Pitt (Julian Wadham) fights to retain his power. But at its heart King George is an intimate family drama. It can be seen as satirical parable-"The film is really as much about the royal family today as it is about the 18th century," says Bennett-or as domestic tragedy, a kind...
Nolde's preference for bright, arbitrary colors hints that dreams and dementia are closely related to reality. As eccentric as his creatures may be, they are beguiling and invite the viewer to escape into a never-ending carnival of unabashed hedonism. In their lush use of brilliant colors, Nolde's works are hypnotic. Nolde often camouflages macabre elements beneath slick colors. The lithograph series of a "Young Couple" (1913) features a red print. Unlike the figures in its green and blue counterparts, the red couple shares a chemistry that is palpably heated and sexual. Nolde's red is so freshly...
...Sulpice scene from Manon, a passionate encounter between lovers in a monastery, brings on the prima donna ``Vera Galupe-Borszkh,'' a.k.a. ``La Dementia.'' Wearing a colossal red fright wig and more lipstick than Lucille Ball, she commands the stage like Bette Midler on Benzedrine, casting her stratospheric soprano to the bleachers as it veers between ear-splitting fortissimos and never-ending pianissimos...
...Sepulce scene from Manon, a passionate encounter between lovers in a monastery, brings on the prima donna "Vera Galupe-Borszkh," a.k.a. "La Dementia." Wearing a colossal red fright wig and more lipstick than Lucille Ball, she commands the stage like Bette Midler on Benzedrine, casting her stratospheric soprano to the bleachers as it veers between ear-splitting fortissimos and never-ending pianissimos...