Word: demigod
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...life a dress rehearsal for death. He regards a soldier's calling as holy, for he believes that God is a fellow Prussian. When his monocle glints, junior officers blanch. But just as no man is a hero to his valet, so no general is a demigod to his driver. Sergeant Major Horlacher is as common as dirt, and plays an ironic Sancho Panza to Von Puckhammer's Don Quixote...
...forward this new impression, it was necessary first to smash an old idol. Overnight the world saw the myth of modern Communism's demigod junked, and the great man's works and ways dismissed as "20 years of dictatorship and lies." The very name of Stalin all but disappeared from the press. On Army Day his picture was missing from its place of honor beside Lenin's in Moscow's Central Army Theater. "Svetlana's Breath," the bestselling perfume named for Stalin's daughter, vanished from the perfume counter in Moscow's Hotel...
...generation of jazz-age iconoclasts, Mencken was a demigod who cut down false idols with a meatax. He fought the censors and prohibitors like an enraged impala, and destroyed shibboleths with a whimsical delight that has seldom been equaled. On his overheated typewriter he minted words and phrases that became part of the national currency: "booboisie," "bozart," "Comstockery," "Bible Belt." With roars of laughter, Mencken insulted at least half his countrymen as "morons" and "boobs" led by "medicine men." He enraged a lot of people, and capitalized on their anger by fielding their barbs into an anthology, Schimpflexikon...
...entourage, the maid recalled, consisted of a male secretary and a valet-bodyguard. Since Churchill had a bad cold, the valet instructed the maid to get two dozen handkerchiefs, each a yard square and imported from the British Isles. Wrote the colonel's lady: "Churchill was really a demigod to this fellow . . . This cocky detective said that Mr. Churchill had the mind of the century and there was nothing that he did not know or could not understand...
...Neill's own version of George F. Babbitt is William A. Brown. He appeared for the first time in The Great God Brown (on the stage of the Greenwich Village Theater in 1926), an outwardly happy businessman ("the visionless demigod of our new materialistic myth-a Success"). His antagonist is an artistic soul both envied and victimized by Brown. The artistic soul cries out: "Why am I afraid to dance, I who love music and rhythm and grace and song and laughter? Why am L. afraid to live, I who love life and the beauty of flesh...