Word: demon
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Dates: during 2000-2009
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...nearly three full minutes. “[Knox] was a defensive key for us,” Delaney-Smith said. “We weren’t fluid offensively, weren’t getting the easy shots, but we kept getting better shots because she was a demon on the defensive end.” Junior Emily Tay hit two jumpers on either end of a 9-0 Crimson run that lasted over five minutes and pushed Harvard’s lead to 13. Tay’s 10 points made her the lone Crimson starter in double figures...
...theater-savvy friend Victor Nelson asked me a few weeks ago about Sweeney Todd: The Demon Barber of Fleet Street, Tim Burton's film version of the 1979 Stephen Sondheim musical. He wondered if Helena Bonham Carter was up to the vocal challenge of the Mrs. Lovett role. She's excellent, I replied; but aren't you anxious about Johnny Depp as the mad barber? He's not a trained singer. "Oh," Victor said with a knowing laugh, "Johnny Depp can do anything...
...humanity, once we see the damage of a soul driven mad by a love lost and defiled. There will be blood, plenty of it, cascading, spurting, spuming from the throats of the men unlucky enough to sit in Sweeney's barber chair. And there will be food, for the demon barbershop is just above Mrs. Lovett's pie store. The corpses are filleted, cooked and served to unsuspecting customers. Cannibal canapes, if you will...
...singer-comedienne Judy Kaye, in last year's Broadway revival, saw Lovett as the flip side of Sweeney: they're both killers, but he's in it for retribution, she for the sick fun. Bonham Carter, though, is a figure of crafty scorn, and nearly as misanthropic as her demon lover. Ill fortune has ground him down; for her, it's the long slog of surviving among London's lower and criminal classes. The woman's dreamy side surfaces only in her number "By the Sea," where she envisions a retirement idyll. But her dreams take her only...
Sweeney Todd: The Demon Barber of Fleet Street, as the full title has it, has quite a history. It's the film version of the hit Stephen Sondheim Broadway musical, which was based on a '70s play based on a 19th century melodrama. All of those appear to have drawn on an urban myth about a barber who found an unconventional use for his straight razors and then an even more unconventional use for the bodies of his victims...