Word: demon
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Ready to Die. With his flushed, seadog face, his poop-deck voice, his blunt, peppery language, Red Raborn scarcely seemed the type to tackle a job that called for a trained scientist. More important, Raborn was a driving organizer, a demon for efficiency and an able politician. He had done time in almost every branch of his service-aviation, destroyers, gunnery schools-and everywhere he was known as a man with a single-minded urge to get things done. At Pearl Harbor in 1941, his patrol squadron was one of the few loaded with bombs and ready to fight back...
...opposition to him as a wet were inextricably entangled. People who were intensely hostile toward Catholicism were usually fervent drys. Since American traditions tended to inhibit direct assaults on religion, hostility to Smith's Catholicism was often expressed in denunciations of him as a servant of the Demon...
...demon is haunting the movie world. It looks, as many have remarked, like a brilliantly personable werewolf. The figure is tall, bony and shambling. The green eyes burn with strange intensity in a high, narrow skull. The teeth are long and peculiarly pointed. The smile is a little twisted, evoking for the nightmare-prone the grimace of a hanged man. The demon is in effect an immensely creative spirit which has seized for its habitation the son of a Swedish parson, and for its instrument the motion-picture camera...
...markedly better than nine years ago. The early-Wagner score-shot through with popular Italian and French influences-was rousingly conducted by 29-year-old Thomas Schippers. In the role of the Dutchman (equated by Wagner with both Odysseus and the Wandering Jew) Baritone George London was convincingly demon-ridden, his voice fresh, passionate but controlled. In the comparatively minor role of Daland, the Norse sea captain, Bass Giorgio Tozzi-convincingly costumed in turtleneck sweater, jacket and boots-sang with warm-timbred verve, while Tenor Karl Liebl turned in his best performance of the season as the huntsman Erik...
...call the Mundele ya Mwinda, the White Man with the Lantern. The Mundele superstition goes back to the time when Belgian officials would come into a village at night to round up Congolese males for forced labor. Gradually, the blacks began to see these officials as one all-powerful demon, whose lantern cast an evil spell. Though no one knows exactly who brought the legend of the evil White Man back to life, thousands of Congolese are today convinced that he is once again stalking the land to hypnotize blacks with his lantern and then grind them up into corned...