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Wake Forest, led by Tim Duncan and three-sport star Rusty LaRue, will make it to the Elite Eight. And because of its sterling inside play, the Demon Deacons will be competitive with Kentucky. Nevertheless, the Wildcats will be the sole No. 1 seed in New Jersey...

Author: NO WRITER ATTRIBUTED | Title: Opening the Crystal Ball of the NCAA Tourney | 3/14/1996 | See Source »

...reach. In dramatizing her efforts to get the money back, the film shows that no one can want anything as much as a child does. No one can be so desperate, endearing, selfish. Razieh is a maven of curb-level politics, a born haggler. She'd be a demon at any yard sale...

Author: /time Magazine | Title: CINEMA: BALLOON STORY | 2/12/1996 | See Source »

...THEATER THESE DAYS, HIGHmindedness is not a very seaworthy trait. Most of the English plays that have sailed across the Atlantic and landed on Broadway of late have been high-tech musicals or dramas ballasted by big-name movie stars. David Hare's Racing Demon--which has no major stars, focuses on two priests in the Church of England and traffics in both theological debate and sociological observation--is therefore an unlikely arrival...

Author: /time Magazine | Title: THEATER: POLITICS IN THE VESTRY | 12/4/1995 | See Source »

...Racing Demon, which premiered in London in 1990, is part of a Hare trilogy that includes Murmuring Judges, which scrutinizes England's legal system, and The Absence of War, examining its politics. If the entire venture has something of an old-fashioned feel--a kinship with those "condition of England" novels of Wells, Galsworthy, Forster--that's probably all right with Hare, 48. With these plays (and others, such as Plenty and Map of the World), he has embraced a theater of social and moral probing. By frequently setting one character to debating another (about the ordination of women, declining...

Author: /time Magazine | Title: THEATER: POLITICS IN THE VESTRY | 12/4/1995 | See Source »

...congenital danger of such plays, of course, is a tendency to be peopled by talking heads rather than full-bodied characters, and Racing Demon sometimes does feel overly abstracted. But Brian Murray does a fine job of linking head to body: he plays, movingly, a homosexual priest who flees the country rather than face public exposure. In the moments when Murray trembles over a hastily packed suitcase, Hare shows he can do more than write an intelligent and noble play; he can shake the soul...

Author: /time Magazine | Title: THEATER: POLITICS IN THE VESTRY | 12/4/1995 | See Source »

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