Word: demy
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Dates: during 1960-1969
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Everyone, in short, knows who Richard Burton is, or at least what he is at the moment. He is the demi-Atlas of this earth, the arm and burgonet of men, the fellow who is living with Elizabeth Taylor. Stevedores admire him. Movie idols envy him. He is a kind of folk hero out of nowhere, with an odd name like Richard instead of Tab, Rock, or Rip, who has out-tabbed, outrocked, and outripped the lot of them. He is the new Mr. Box Office...
Apart from the overtones of demi-semi-Hemingway in this creed, the play casts doubt on the joy of life that it rather self-consciously preaches ("use all five senses every day"). To treat life as a branch of esthetics is to observe one's responses to it, rather than engage spontaneously in it, to play-act rather than act, or play. When Wertenbaker and his wife Lael (Olivia de Havilland) make love, he asks for a morning-after review. "Miraculous, as always," she replies, making two people who believe...
...forced by the code of chivalry to kill her father in defense of his own father's honor. Jimena. in turn, though she loves Rodrigo madly, is forced to seek revenge. So much for Corneille. From there out, Yordan collects vivid scraps of incident from the teeming, demi-mythological Matter of Spain, and patches together an opulent tapestry of medieval legend. In its final moment, the film rises to a vision of chilling weirdness as El Cid. strapped dead to his great white steed Babieca, looms above the field of his last dim battle and, scattering the heathen like...
Finally, there's the Play of Daniel, the twelfth-century, semi-secular, demi-liturgical Christmas drama from Beauvais. Noah Greenberg has recorded his recent and acclaimed performance at the Cloisters. Russell Oberlin is a soloist (Decca...
...corrupt, oompah versions of perfectly good folk songs; no lover of folk musics enjoys hearing the lush, superfatted, slick results. The task of separating what we like from the phony folk music becomes more difficult all the time, anyway. Here, then, is a one- sided incredibly opinionated, narrow- minded demi-survey of some current folk music records--for no-one is happier about the boom than the record companies, which have conspired to inundate us with all manner of folk music...