Word: demy
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...industry. Waiting to Exhale is about money, and Hollywood is a bottom-line town. That is why box-office receipts are kept track of so closely. When African-American talents such as Loretta Devine, Lela Rochon, director Forest Whitaker and author Terry McMillan become common household names like Madonna, Demi Moore, Ron Howard and Michael Crichton, then Hollywood will, I hope, produce more films that explore African-American life. Yes, ultimately some of these movies will be slick Hollywood trash. But only then will African Americans as a group have arrived--when we can create Hollywood "trash" that affects...
What becomes a diva most? Part ownership of Planet Hollywood is good, but a Polaroid camera is better. DEMI MOORE has snapped a self-portrait (yes, that's her) and penned a piece for Details' Mondo Hollywood issue. Apparently, divadom isn't all it's cracked up to be. Moore complains of being thrown onto powdered cement, walking "small, repetitive distances in uncomfortable shoes" and standing around in a G-string with tissues stuffed up her nose. "I have even gone so far as to roll around in a semiclad state on piles of money and Michael Douglas," she says...
...Laurence Fishburne brings an outsider's dignity to the role of Shakespeare's noblest chump. Irene Jacob is a lovely, sallow Desdemona, and Kenneth Branagh--looking bloated and rheumy, slithering snakelike on rooftops, whispering his venomous gossip as if it's his last confession--makes a fine Iago, a demi-devil working his cool wit to destroy those he might have loved...
ROGER HOWARTH certainly isn't the first soap star to leave a show to pursue a film career (ever hear of Laurence Fishburne or Demi Moore?) or because the plots were too dopey. But he may be one of the few who left for moral reasons. "I was hired to play Todd, the serial rapist and murderer," says the Emmy-winning Howarth of his role on One Life to Live, "and then I became Todd the erotically charged heir to $27.5 million." When the rapist maniac became a long lost son and his criminal tendency was transformed into something sexually...
...stats, however imposing, underplay the importance of these films to Hollywood's bottom line. Women are so eager to make movies close to their hearts that they agree to make them on the cheap. Demi Moore, for example, is being paid a burly $12 million to star in next year's Striptease. But as a producer, she got Now and Then made for the same $12 million. Little Women, with Sarandon and Ryder, took in $50 million at the U.S. wickets but cost only $18 million...