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NOTHING BUT THE BEST. A ne'er-do-well aristocrat (Denholm Elliott) tutors an ambitious junior clerk (Alan Bates) who yearns for Establishment status in Director Clive Donner's black comedy about hoary old England...

Author: /time Magazine | Title: Television, Theater, Records, Cinema, Books: Jun. 26, 1964 | 6/26/1964 | See Source »

NOTHING BUT THE BEST. In this cheeky, stylish, often mordantly funny variation on Room at the Top, an aristocratic wastrel (Denholm Elliott) teaches a lowly British clerk (Alan Bates) how to attain Establishment status...

Author: /time Magazine | Title: Television: Jun. 12, 1964 | 6/12/1964 | See Source »

Bates begins as a lowly clerk in an upper-U firm of London property agents. En route to a partnership and a Westminster Abbey wedding with the boss's daughter (Millicent Martin), he hires an aging, aristocratic wastrel (Denholm Elliott) to guide him through a whirlwind curriculum of fashionable prejudices. "Say 'bloody' a lot," counsels Elliott. "Know a few dirty jokes about the Caesars." When tutor and pupil take aim at the Establishment in a series of daft vignettes-playing squash, touring Cambridge, or off on a jolly shoot-Nothing but the Best looks and sounds like...

Author: /time Magazine | Title: Cinema: A Rogue's Progress | 6/5/1964 | See Source »

Donald is the disaffected younger son of the land-rich, tax-poor Rodingham clan. His elder brother (Denholm Elliott), an elegant spendthrift who likes to know where his next cobwebby bottle of wine is coming from, plans to sell the 500-year-old family mansion. The buyer (Torin Thatcher) is an upstart real estate operator who likes to tromp on the middle of other people's sentences. But he has a couth and cultured wife (Kim Hunter) who likes to write. Donald writes too and, with a short story contest in view, he helps her work out the mechanics...

Author: /time Magazine | Title: Theater: Chilly Will-he-do-it | 11/3/1961 | See Source »

...hero is a young British airman (Denholm Elliott), on holiday in Spain, who sees a runaway truck miss a pretty girl by inches, smells a rat, sets up as a private nose, and, like a questing Quixote with a paunchy Panza (Peter Lorre) at his heels, sets out to rescue his damsel in distress. In the course of the hero's aro-mantic maunderings, the customer gets quite an eyeful of Spain: the Alhambra, the Alcazaba, the Cathedral at Malaga, the bullfights at Pamplona. He also gets a snootful: apples, peaches, brandy, wine, tobacco, shoe polish, peppermint, roses, garlic...

Author: /time Magazine | Title: Cinema: Nose Opera | 2/29/1960 | See Source »

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