Word: denner
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Dates: during 1960-1969
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...calculated film, yet for all its style and detail, I'm not sure it amounts to very much, and prefer the romantic perception of Soft Skin, Truffaut's best film to date. But you have to give him points: the scenes between Julie (Jeanne Moreau) and the artist (Charles Denner) blend exposition and characterization as cinematically as anything this side of Chabrol. Also Truffaut's obsession with Hitchcock has finally left the realm of shot-copying, resulting in some interesting notions about audience identification, point-of-view cutting, and flashback structure...
...Bride Wore Black, Truffaut suggesting that at least three of Julie's victims die more realized human beings, better for having known her. On one extreme the first victim sees Julie and briefly questions the nature of his expedient marriage plans; most seriously, the painter (brilliantly played by Charles Denner) falls deeply in love with her. Julie is cognizant of her potential for redeeming these men, but she painfully subordinates any feelings of mercy to her solitary desire for revenge. "I am," she says to her third victim suffocating in a broom closet, "already dead. I died when David died...
...give subtle performances that would do credit to Giraudoux. Out standing is Michel Bouquet, pathetic yet loathsome as a pawky, balding bachelor who cannot believe his good fortune when a mysterious beauty comes to his shabby room with a bottle of strange-tasting liqueur. Scarcely less memorable is Charles Denner, a painter who poses Moreau as Diana the Huntress and gets an arrow in the back. Or Claude Rich as a womanizer who smirks curiously at Moreau until she pushes him off a balcony and his face turns from pure narcissism to pure terror. Another director might have made...
...Montand family, I was particularly impressed by Michel Piccoli, whose portrait of the unhappy clerk is a small masterpiece. Perspiring as freely as he fantasizes, nervously smoothing his sparse, slicked-down hair, and curling his lips into a tobacco-stained smile, Piccoli is simultaneously poignant, and repulsive. Charles Denner, Jean-Louis Trintignant, and Claude Mann never fail to be compelling as a cynically belligerent smark aleck, Miss Signoret's languidly egotistical lover, and a charming but distant policeman, respectively...
...suffering of compulsive, confused normal people. Is he suggesting that the contemplative life in the modern world can only be lived in the loony bin-or that the only way to be happy is to be crazy? Jessua lets the audience decide for itself. In any case, Actor Denner, who has the hawk nose and almond eyes of a Persian miniature, is a most engaging madman...