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...Bride Wore Black, Truffaut suggesting that at least three of Julie's victims die more realized human beings, better for having known her. On one extreme the first victim sees Julie and briefly questions the nature of his expedient marriage plans; most seriously, the painter (brilliantly played by Charles Denner) falls deeply in love with her. Julie is cognizant of her potential for redeeming these men, but she painfully subordinates any feelings of mercy to her solitary desire for revenge. "I am," she says to her third victim suffocating in a broom closet, "already dead. I died when David died...

Author: By Tim Hunter, | Title: The Bride Wore Black | 7/30/1968 | See Source »

...give subtle performances that would do credit to Giraudoux. Out standing is Michel Bouquet, pathetic yet loathsome as a pawky, balding bachelor who cannot believe his good fortune when a mysterious beauty comes to his shabby room with a bottle of strange-tasting liqueur. Scarcely less memorable is Charles Denner, a painter who poses Moreau as Diana the Huntress and gets an arrow in the back. Or Claude Rich as a womanizer who smirks curiously at Moreau until she pushes him off a balcony and his face turns from pure narcissism to pure terror. Another director might have made...

Author: /time Magazine | Title: New Movies: The Bride Wore Black | 7/5/1968 | See Source »

...Montand family, I was particularly impressed by Michel Piccoli, whose portrait of the unhappy clerk is a small masterpiece. Perspiring as freely as he fantasizes, nervously smoothing his sparse, slicked-down hair, and curling his lips into a tobacco-stained smile, Piccoli is simultaneously poignant, and repulsive. Charles Denner, Jean-Louis Trintignant, and Claude Mann never fail to be compelling as a cynically belligerent smark aleck, Miss Signoret's languidly egotistical lover, and a charming but distant policeman, respectively...

Author: By Martin S. Levine, | Title: The Sleeping Car Murder | 5/25/1966 | See Source »

Life Upside Down. Slight, smiling Jacques (Charles Denner) seems to be an ordinary little man working in an ordinary little real estate office in Paris. He lives with Viviane (Anna Gaylor), an ordinary little model who loves to look at herself in commercials and magazine ads. While taking a bath one afternoon, Jacques experiences a kind of ecstasy of self-absorption so powerful that he fails to notice that Viviane has come home and is chattering away at him. Later, he feels something of the same blissful detachment when he leaves a group of friends in a restaurant and begins...

Author: /time Magazine | Title: Cinema: Going AWOL | 9/10/1965 | See Source »

...suffering of compulsive, confused normal people. Is he suggesting that the contemplative life in the modern world can only be lived in the loony bin-or that the only way to be happy is to be crazy? Jessua lets the audience decide for itself. In any case, Actor Denner, who has the hawk nose and almond eyes of a Persian miniature, is a most engaging madman...

Author: /time Magazine | Title: Cinema: Going AWOL | 9/10/1965 | See Source »

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