Word: denning
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Dates: during 1960-1969
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...comparatively dewy Covent Garden ballerina from Rhodesia, Merle Park, 29. Could it be that the most brilliant team in modern ballet will be unhitched at last? "A big lie!" stormed Rudi. He and Dame Margot have occasionally danced with others in the past as schedules demanded. As Covent Gar den sped forward with reassurances that Rudi, 29, and Merle "are not a permanent partnership," Ballerina Park remarked unflappably that "Rudolf is marvelous," but that she has performed with British dancers who are "as good as Nureyev in their...
...effect on the author's pocketbook. Philadelphian Jacqueline Susann, an advocate of brotherly, sisterly, fatherly, motherly, and potato love, has made it to "the top of Mount Everest" as her dolls have not. Writing in an orange, red, and yellow den which she wittily calls "the chamber of horrors," the former acrtess and five-time winner of the Best-Dressed TV Star award has stirred up a honeypot and attracted all the bees from the shyest bus driver to 20th-Century...
...week detour around the Cape of Good Hope. At Rotterdam's Europoort, whose massive refineries get 70% of their oil from the Middle East, companies have dipped into reserves while eagerly awaiting the homeward-bound tankers. "They're out there floating around somewhere," says Theo P. van den Bergh, general manager of Shell Netherlands Refining Co., "and we're waiting, waiting, waiting...
...main case against p.r. is not that it brainwashes people -it is not really powerful enough to do that. As New School Sociologist Ernest van den Haag says, "Public relations can seduce, but it cannot rape." What is often most troubling is that p.r. can place a kind of shield between the public and reality. It creates the feeling that smiles are not quite real, laughter not quite spontaneous, wit not quite unrehearsed, praise or blame not quite from the heart, elegance not quite instinctive, courage not quite brave and virtue not quite clean. The best p.r. men know...
...Daisies is a hippie's pipe dream that looks and sounds like something concocted by a den member of America's own underground cinema clique. Made with Marxism far less than Harpo, the film is not about anything except itself. Two teen-age girls, labeled Marie I and Marie II (Jitka Cerhová and Ivana Karbonová), live like dolls, chattering and giggling, floundering about in their oversized bed, making a shambles of sets and sense. In scenes suffused with unearthly tints and shades, the girls attack each other with scissors and cut off each other...