Word: depalma
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Dates: during 1970-1979
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DEWITT: Well I don't do it, but I like to watch it. I'm a voyeur. Hitchcock, DePalma, Scorcese's Taxi Driver. They keep me out of trouble. It's a crazy world, y'know Chaim? A crazy world. What else is this week? The Third Man. A thrilling Carol Reed movie, with those magnificent camera angles out of German expressionism and Orson Welles's Harry Lime, a slippery, outrageous performance by one of our greatest filmmakers. Touch of Evil is also in town. Best first and last scene in film history. Am I boring...
MARRIAGE REVEALED. Brian DePalma, 38, director of Hollywood chillers (Carrie, The Fury); and Nancy Allen, 28, an actress featured in Carrie; both for the first time; on Jan. 12; in Manhattan...
...reminiscent of Linda Blair shoving a crucifix into her crotch. Crunch, crunch. Blatty's novel needed: a) someone less pretentious than Blatty to write the screenplay, and b) a director with more of a sense of lyricism and wit, a modern James Whale, or a Hitchcock, or even a DePalma. Friedkin and Blatty successfully induce nausea, not terror--unless you're one of the impressionable innocents who gave this film its reputation, in which case, frankly, you have no taste. An excellent performance by Max Von Sydow, a pretty good one by Ellen Burstyn, a lifeless one by Jason Miller...
...Fury. This should have been Brian DePalma's goony epic, a lavish, blood-soaked tale of telekinesis (remember "Carrie"?) and international spies. But John Farris' screenplay turns the sumptuous ingredients into--well, nothing; and although certain scenes leave shivery impressions with their nightmarish silliness, DePalma has paced the film slackly, with none of the mounting horror of his previous efforts. Kirk Douglas, Amy Irving, John Cassavettes, and especially Carrie Snodgrass are wonderful. But don't take a liking to any characters--eventually you will see them lovingly mauled before your eyes. John Williams has provided another goffily bloated score...
Things looked up after that; how could they not? Johnny landed the Barbarino role in Kotter and started his steep, fast climb. He was passed over for a role he badly wanted in The Last Detail but won a prime supporting part in Director Brian DePalma's nightmare fairy tale, Carrie. He had already broken up with Marilu, but while working on Carrie he had become the hottest hood on TV since The Fonz. Four-color posters were being printed, and record contracts were in negotiation...