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Three of the works in this exhibition depart from the Neo-Plastic tendency for a foray into Neo-Impressionism. A series of sunsets are in the pointillist style. The illusion of light and warmth produced by the use of light and color is spoiled by a clinical and sterile application of paint...

Author: By Lowell J. Rubin, | Title: From Kokoschka to Jennerjahn | 1/25/1956 | See Source »

...institution's particular resources, circumstances and function, it can educate with maximum effectiveness. I believe that, in these terms, our present enrollment is about five hundred too large, but I realize that this is subjective, unscientific judgment and I accept the fact that under pressure we are bound to depart somewhat from the ideal. And of course the optimum size will change as resources and circumstances change...

Author: By Wilbur J. Bender, | Title: The College: A Megalopolis of IBM Machines? | 12/17/1955 | See Source »

...doughty little warrior who kicked a pro-Communist government out of Guatemala. Since that mid-1954 burst of glory, he has managed to survive in the face of drought, plots and a sputtering of accusations (TIME, Aug. 22). But last week, as he made plans to depart, his prestige was dipping. Main reasons: resentment over ham-handed measures by his police, and a hard-to-ignore smell of corruption...

Author: /time Magazine | Title: GUATEMALA: Cops & Scandals | 10/17/1955 | See Source »

...fact and truth than your Aug. 1 review of Cordell Hull's life. When I was a lad, the Hull family were neighbors. I knew them well. Your picture of Billy Hull is true to life . . . Likewise, the word picture of the career of Cordell Hull does not depart from fact and truth. It reveals the heart and mind of him -America's most respected statesman of modern times...

Author: /time Magazine | Title: Letters, Aug. 22, 1955 | 8/22/1955 | See Source »

When the gunmen depart with her husband, Hildy Parks at last summons the courage to call the police, who agree to cooperate in silence. The tension builds in the last reels through the device of showing the mechanical difficulties of tracing a phone call. The fate of the trapped man oddly becomes less important than the technical riddles that must be solved in determining from what exchange, and in precisely what sequence of numerals, the kidnaper is phoning his instructions. The film ends in the customary blaze of guns, and Kelly is happily reunited with his family. But the film...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 1, 1955 | 8/1/1955 | See Source »

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