Word: dependency
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Dates: during 1970-1979
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...Most of the gangs have memberships of no more than 30 or 40 teenagers, and in some cases their territory is quite literally no more than a corner or a block at best. The rules of sovereignty-and survival-are strict. The difference between life and death can often depend on whether a boy walks on one side of a street or the other. Forays by an individual or a group into the territory of another gang are a justifiable cause for all out combat. The slightest provocation-a little back talk in a school corridor, a random surreptitious glance...
...Cook were quite different. A Peary expedition was a big production with Government support and financial backing from a group of New York millionaires. Cook was a loner who had worked his way through medical school as a milkman. He preferred to travel light, live like an Eskimo and depend on his ingenuity. On one expedition to the Antarctic he saved his ship from the ice by using the bodies of penguins as bumpers. He designed clever gear, including a sled that could be converted into a kayak...
...toward money and destruction in an inversion of the Westward push myth with the rainbow pot of glory at the end. The movie not only lacks coherent narrative, it lacks any form at all. Rather, for whatever success it may have trained its sights upon, the film seems to depend heavily on audience gullibility vis a vis "art at the movies" built up by the new media hypes...
...open to charges of indecisiveness. Still, negotiating skills will surely prove useful in balancing the different requirements of energy industries, foreign suppliers and the public. In an interview with TIME Correspondent John Wilhelm last week, Love was quick to admit that 'Tm no energy expert." He will depend on Charles DiBona, the White House's energy specialist, who will be his chief assistant. Some of Love's other comments...
...toward money and destruction in an inversion of the Westward push myth with the rainbow pot of glory at the end. The movie not only lacks coherent narrative, it lacks any form at all. Rather, for whatever success it may have trained its sights upon, the film seems to depend heavily on audience gullibility vis a vis "art at the movies" built up by the new media hypes. Ten from VYour Show of Shows. A sampling of the 160 90 minute weekly shows directed and produced by Max Liebman from 1950 to 1954, starring Sid Ceasar and Imogene Coca, with...