Word: depict
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Dates: during 1890-1899
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...dominant note and the inspiration of mediaeval art; on the other hand, the art of the Renaissance reflected the freedom of though and the tendency to classicism of the Renaissance itself. Its spirit was essentially mundane and finally became, in imitation of the Greeks, a mere effort to depict physical beauty. The Italian antists, however, took the later Graeco-Roman period for a model rather than the classic Greek and in consequence took eventually a very artificial tone. In the fifteenth century this was less noticeable, but in the sixteenth century art became very artificial and in many cases coarse...
...clearly and forcibly the virtues and the faults of the old-comedy writers. No one felt the influence of the Puritan spirit less than Wycherly, Congreve and Farquaar. These men saw the follies and fashions of the time, thought they represented real life and as such chose to depict them. Now we realize that the world they lived in was only the artificial world. An example of a contemporary production which suffers from the same fault is Mr. Oscar Wilde's "A Woman of No Importance...
...Fletcher write the scenes which depict the ends of Cardinal Wolsey and of Queen Katharine? [See Leopold Shakespeare: Introduction...
...fiction realism is the strongest. The movement has aimed to depict life by a minute description of objects. It soon became an art documentaries and degenerated into naturalism. The original desire of the French novelist was, by the description of exterior features to bring about in the reader the effect of the antecedents of which this feature is the consequent. But as two persons are unlikely to be affected in the same way by a phase of life, the novelist to retain a leadership was obliged to seek novelty, what is rare and curious. He soon turned to the abnormal...
...title of emperor so angered Beethoven that he tore off the title page, and restored it only when Napoleon died at St. Helena. The term "heroic" is applied to it, not in the sense of a military hero, but in that of a perfect man. The four movements depict man's various sensations: in the first, youthful and active emotions, followed by the mournful and solemn grief in the magnificent funeral march, the wild impetuosity of the scherzo, and the blending of all the emotions in the finale...