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...claims that Orientalism continues in strains of intellectual imperialism. The Orientalism thesis has spawned much critique. Experts on the Middle East and historian Bernard Lewis deems it “intellectual protectionism” to think that only people who are part of a culture have the authority to depict it. Thinker Ken Wilber makes a similar point, musing that post-modernist critique has slipped into essentialism: “You have to be a woman to know anything about women; you have to be an Indian to say anything about Indians.” A lapse into protectionism...

Author: By N. KATHY Lin | Title: Orientalism and ‘The Mikado’ | 12/4/2007 | See Source »

...said Hirsch. “The getting of itchy feet, the need for adventure, the wanderlust, having new experiences: that is what I responded to.” Hirsch’s commitment to the film went further than adventure travel, however: in order to accurately depict McCandless’s emaciated state by the end of the film, he adhered to an extremely strict diet, losing 40 pounds. “There was something about Chris’ story that really moved me, that made me take the gravity of the situation: a family lost...

Author: By Victoria D. Sung, CRIMSON STAFF WRITER | Title: DEEP FOCUS: "Into The Wild" | 10/12/2007 | See Source »

Corresponding balloon-shaped icons depict the positions of the shuttles and move along the lines to show viewers where vehicles are headed at any given moment...

Author: By Victoria B. Kabak, CRIMSON STAFF WRITER | Title: GPS To Aid Shuttling Students | 10/12/2007 | See Source »

...Dominik and Mangold, and the Coens and Miike, believe the form still has life in it. Their movies show it does. Working in a genre many think obsolete makes the filmmakers as alert and precise as the outlaws they depict. The pictures can't coast on the clichs audiences love, so they need a rigor and daring a buddy comedy or action movie doesn't. The demand on the director is different too: not to make a blockbuster, just a strong, true film. Maybe these movies will grant the genre a stay of execution and ensure that the western...

Author: /time Magazine | Title: Too Tough to Die | 9/20/2007 | See Source »

...Civil War first aired in wartime too, just after Saddam's invasion of Kuwait. Today the most powerful statement of The War is its simple, brutal willingness to show what war looks like. Without wallowing in gore, Burns and Novick combed through archive and newsreel footage to depict the war as GIs saw it: battlefield corpses, bomb-blasted civilians and waves lapping against bodies on beaches. Compare this with the Iraq conflict, during which the U.S. government has suppressed images of coffins, let alone casualties, often with the cooperation of the media...

Author: /time Magazine | Title: The Violence of History | 9/20/2007 | See Source »

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