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Sirs: Your reply to John F. Walther (TIME, June 5) was a masterful bit of reticence and understatement. As a ten-year cover-to-cover reader, I can recall without referring to your files that you did your very best to depict the seriousness of the international situation not only after Pearl Harbor and before Bataan. You outlined with a dark editorial pencil the sinister threat of the Rome-Berlin-Tokyo axis to the democracies in general and the U.S. in particular long before Pearl Harbor...

Author: /time Magazine | Title: Letters, Jul. 3, 1944 | 7/3/1944 | See Source »

...subject for musical comedy, the frail, dreamy character of the real Edvard Grieg was more musical than comic. But Song of Norway's librettists depict the gentle, gnomish composer as a heroic genius whose fidelity to Norwegian folksong and his Norwegian wife is threatened by the wiles of an Italian countess named Louisa Giovanni. She represents the cosmopolitan musical culture of sophisticated Europe. Grieg, though tempted, sticks to Norway, and composes his greatest work, the Piano Concerto in A Minor. So ingratiating are the familiar, lyrical Grieg melodies in which this flimsy plot is dressed that last week three...

Author: /time Magazine | Title: Music: Grieg in Greasepaint | 7/3/1944 | See Source »

...insignia will depict the sword of valor against a lamp of knowledge. The sword and lamp are in dark blue on a yellow, octagon-shape patch...

Author: NO WRITER ATTRIBUTED | Title: ASTP MEN TO GET SHOULDER PATCHES | 10/12/1943 | See Source »

Once again Hollywood has failed to depict one of the branches of our armed forces in a realistic light. From "Crash Dive" one might think that our submarine fleet operates on a Buck-Rogers-of-the 25th-century schedule. Fantastic is the word for it. Tryone Power is the swash buckling sub officer who leads his men through incredible danger to blast the enemy base into technicolored flames and gore. The plot is there, but in the usual and tiring mask of the eternal triangle...

Author: NO WRITER ATTRIBUTED | Title: MOVIEGOER | 8/16/1943 | See Source »

...from Sickert and Orpen, advice and encouragement. All of them influenced him. But one day in the south of France he met two impressionists at work and talked with them. Of their effect on him he later wrote: "Look also at the blue of the Mediterranean. How can you depict and record it? Certainly not by any single color that was ever manufactured. The only way in which that luminous intensity of blue can be simulated is by [a] ... multitude of tiny points ... all in true relation to the rest of the scheme. Difficult? Fascinating...

Author: /time Magazine | Title: Art: Difficult? Fascinating! | 7/12/1943 | See Source »

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