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...artist’s desire for answers becomes even more apparent in “Together.” While at first glance, the painting appears to depict a family portrait, a closer look reveals the characters of Abraham, Isaac and a ram. Not only is the ram bound, however, but Isaac is also bound as a sacrifice...

Author: By Joyce Kwok, CONTRIBUTING WRITER | Title: Freud 101: Memories and Dreams | 4/20/2001 | See Source »

...team-naming today. The introduction of Jacksonville Jews and Marquette Mexicans expansion franchises in any sport wouldn't be well-received-even if they were meant to be complimentary. Such "tributes" are ambiguous, and prompt responses even by well-meaning fans that send mixed messages to the groups they depict...

Author: By Martin S. Bell, CRIMSON STAFF WRITER | Title: Saved By The Bell: Playing the Old Name Game | 4/18/2001 | See Source »

...abide the semantic confusion with comedians. More importantly, I would argue that significant differences still exist between the vast majority of titles in this art form and the few that I strive to cover in this column. But the difference no longer has to do with what the works depict. Violence and sexuality appear routinely in many books that I would not describe as "comix." The definition of the word has moved toward describing the intent of the work. Does a comic book involve self-expression or merely a business plan? This is the new demarcation of "comics" vs. "comix...

Author: /time Magazine | Title: Does X Mark the Spot? | 4/5/2001 | See Source »

...part of TIME's exploration of European youth, we surveyed 21- to 35-year-olds in Britain, France, Germany and Italy about their hopes, habits and hang-ups. The results depict a generation in transition, propelled by globalization into ever closer political and economic union but still firmly rooted in national and local identities. Though young Europeans share some of the same worries about biotechnology and the environment, what really binds them together is an avid embrace of change...

Author: /time Magazine | Title: The Way We Are | 4/2/2001 | See Source »

...Europe's current indigestion over what it ingests. He was born in rural Flanders where there are more pigs than people, and he says he has always felt a pull to the "agrarian tradition" in Flemish art. His studio walls bear ironic witness to that: photographs that seem to depict delicate inlaid marble floors are actually intarsia of processed meat, pork parquettes fashioned from deep scarlet salamis and delicate pink bolognas and hams. One previous succés de scandale was to tattoo live pigs with the kind of icons that normally grace the biceps of a Hell's Angel...

Author: /time Magazine | Title: Wim Delvoye, 36 | 4/2/2001 | See Source »

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