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Word: depictions (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Confessions, Northwestern Law Professor Fred E. Inbau and Polygrapher John E. Reid depict the modern interrogator as "a hunter stalking his game." They prescribe absolute privacy in a small, bare, windowless room. "Display an air of confidence in the subject's guilt," they urge. Appear to have "all the time in the world." The interrogator strips the suspect's status away by using his first name-"Joe" rather than "Mister"-and slowly moves his chair "closer, so that, ultimately, one of the subject's knees is just in between the interrogator's two knees." Says...

Author: /time Magazine | Title: Criminal Justice: Concern About Confessions | 4/29/1966 | See Source »

Third, Pasolini has used the "zoom" lens both ostentatiously and successfully--an unprecedented combination. Somehow a "zoom" shot always seems a portent of Revelation--which is what Pasolini uses it to depict...

Author: By Jeremy W. Heist, | Title: The Gospel According to St. Matthew | 4/16/1966 | See Source »

...contemporaries, such works were full of unrecognizable "blots." Constable, also experimenting in colored light, labeled Turner's work "tinted steam." It was a shrewd perception for, in the days of the burgeoning Industrial Revolution, Turner eventually abandoned trite old themes to depict railway trains and steamships roiling, almost defiantly and often indistinctly, through mist and fog. When he titled a painting Sunrise with a Boat Between Headlands, the subject was neither topography nor the boat, which is a barely visible blob, but light refracted by mist...

Author: /time Magazine | Title: Painting: Landscapist of Light | 4/1/1966 | See Source »

...cool world of science, Chryssa's Gates, like many other neon artists' works, is just a flickering glimpse of what pure light sources may someday offer when incorporated into art. Rembrandt depended on sunlight to unmask his carefully constructed layers of color. The impressionists struggled to depict in dabs of oils the natural light that bounced off haystacks into their eyes. Tomorrow's artists may ladle their color, at 60 cycles per second, right out of the rainbow...

Author: /time Magazine | Title: Sculpture: A Times Square of the Mind | 3/18/1966 | See Source »

Nuclear Clout. In his eagerness to depict the nation's true strength, McNamara even made public such previously classified information as the fact that the number of warheads available to the Strategic Alert Force will have increased from 836 in 1961 to 2,600 by next June, with a tripling of megatonnage. His purpose in publishing such figures, he explained, was "simply to insure that none of us, friend or foe, miscalculates this nation's capability to fulfill its treaty commitments. I can't imagine anything more dangerous...

Author: /time Magazine | Title: Armed Forces: Imaginary Weaknesses | 3/11/1966 | See Source »

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