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...blame some of my embarrassment toward "Southern culture" on television's shallow, cliched view of Southern people and places. Look at shows like "The Dukes of Hazzard," "The Beverly Hillbillies" and "Hee Haw." Even "Matlock" and "Designing Women," which at least depict intelligent characters, depend on quaint Southern accents, romanticized Southern situations and hackneyed Southern expressions for their appeal. Face it--no one expects the sophistication of "L.A. Law" south of the Mason-Dixon Line...

Author: By Eryn R. Brown, | Title: Athens, Rome, Berlin, Atlanta? | 9/25/1990 | See Source »

...According to Yurco, the figures dressed in ankle-length clothes at the upper left corner of the top slab are the defeated Israelites; more Israelites lie in a confused jumble at the slab's bottom edge. If Yurco's theory is correct, these images would predate the earliest known depiction of the Israelites by six centuries. The figures in the bottom slab depict Merenptah's defeat of the Canaanite city of Ashkelon...

Author: /time Magazine | Title: First Sight: The earliest Israelites? | 9/10/1990 | See Source »

...photographs of Ansel Adams are like national monuments on paper, more deeply embedded in the American consciousness than the actual places they depict. A new book combines his pictures and words to make a powerful case for the natural world that he loved...

Author: /time Magazine | Title: Time Magazine Contents Page | 9/3/1990 | See Source »

What the exhibition offers, really, is the ultimate challenge to our sensibilities. Mapplethorpe photographed his life and the life around him. His still-lifes depict beauty and intense eroticism. His portraits of celebrities and friends are marked by highly aestheticised definition and exaggerated characterization. He forces us to ask ourselves where we draw the line between the visual appeal of the daring revelation of taboo images and the depiction of images for the sake of sexual arousal...

Author: By Ali F. Zaidi, | Title: Expressions and Impressions | 8/10/1990 | See Source »

...make John Calvin, the 16th century theologian, an actual character onstage. Scholars of popular culture frequently assert that the national soul is mirrored in the game of baseball. Yet it takes great faith -- not only in his own intelligence but also in the audience's -- for a dramatist to depict the making of the American imperium through the life of centerfielder Ty Cobb. The nation's theater has long excelled at the agonies and ecstasies of family life but has faltered at portraying the broad sweep of public life; its ambitions have been toward emotional, not intellectual, riches. Thus...

Author: /time Magazine | Title: Theater: Myth, Ambition and Anger | 7/23/1990 | See Source »

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