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...presidency last year, Powell again was the only aide traveling with him, briefing reporters and still acting as gofer. Powell soon began to impress the national press corps with his authoritative access to the candidate and his relentless energy. When Harper's last winter was about to depict Carter as a liar, Powell rushed out a 22-page response that did not convince all reporters but certainly reached most of them before their copy of Harper...

Author: /time Magazine | Title: The Press: Carter's Mouth | 8/2/1976 | See Source »

...assigned him the rose window. Because it is deeply recessed and in shade much of the time, LeCompte used chipped nuggets of thick glass designed to pick up and transmit light all day long. Realizing that individual figures are lost to viewers far below, he used abstract forms to depict the creation theme. The result is one of the most distinctive rose windows ever designed...

Author: /time Magazine | Title: Religion: Washington's Church | 7/5/1976 | See Source »

Throughout the campaign, some of Carter's political opponents have tried to depict him as a closet racist-one whose sensitivity to black causes coincided with the development of his political ambitions. The major chinks in Carter's armor...

Author: /time Magazine | Title: The Nation: Why Carter Wins the Black Vote | 4/5/1976 | See Source »

...House. Hoping to help themselves-as well as their presidential candidate, whoever he may be-in the upcoming elections, the Democrats will be out to portray Ford as the great naysayer while they fight for social programs and more jobs. President Ford, on the other hand, will try to depict the Democrats as spendthrifts whose fiscal irresponsibility will increase inflation...

Author: /time Magazine | Title: CONGRESS: Mr. President, We're in Trouble' | 2/9/1976 | See Source »

Says Aronson: "The Japanese artist has a peculiar way of seeing things. For instance, the white backdrops in Pacific Overtures are the way in which the Japanese depict clouds. Since this is a play about issues and not about people and moods, Hal and I decided on white lighting. The white shows everything on stage. It has a crispness, a simplicity, a directness about it." The entire show is lit by the harmony and taste of Boris Aronson's vision...

Author: /time Magazine | Title: The Theater: Floating World | 1/26/1976 | See Source »

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