Word: depicts
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...mystical, Zen-Like gnosis; a Gnostic could thus achieve gnosis and partial redemption long before corporeal death. The Gnostic creed left no room for the Christian belief in redemption through Christ's atonement on the cross for the sins of mankind. In fact, Nag Hammadi texts depict a Jesus who did not die on the cross at all. In their version, Simon of Cyrene carried the cross to Golgotha and-by ghoulish accident-was crucified in Christ's place while Jesus looked down from above and laughed. The Nag Hammadi texts were packed away 16 centuries ago, perhaps...
...perhaps the best this century has yet to offer, combining the rhythms of the symbolist tradition with the sharper forms of the imagists. When Fionn first learns that the two lovers have escaped, for instance. Clarke uses swift lines and the fierce play of light and dark to depict Fionn's tormented rage...
...triumph, their meaning the inevitability of failure. More vividly than older women in fiction, they express women's anger and self-hated and the feeling that there's no way out. Pain is the human condition, but more particularly, these books announce, the female condition... The women novelists who depict their plight find in it constant images of challenge aborted or safely contained: the general fate of female challenge...
...recent issue of W, the biweekly tattler of taste and chic presided ever by John Burr Fairchild. Since it was launched three years ago last week by the graciously gossipy publisher of Women's Wear Daily and seven other trade publications, W has toiled relentlessly to depict, extol and embody that elusive trait. This year alone, W has identified everything from Quality People (Queen Elizabeth, Elliot Richardson, Julia Child, the Due de Brissac, Sir Cecil Beaton and 33 others) to Quality Bread (Poilane and Panetier, two Paris boulangeries). Quips a Fairchild Publications art director: "Pretty soon...
...wounds" that, Cuddihy says, Marx and Freud expressed only indirectly. But when Cuddihy poaches upon the field of literary criticism, his judgments cloud his vision. He arrogantly dismisses Novelist Bernard Malamud as "a teller of Christian tales who 'passes' as a Jew." evidently because Malamud does not depict the Jewish ordeal the way Cuddihy defines it. Similarly, he laments the vogue for Yiddish Storyteller Isaac Bashevis Singer on the dubious grounds that he portrays not the real Jew, whatever that is, but a "sentimental myth" instead...