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...kept private. The trouble is that younger Asians, anxious to keep up with the latest fads flowing from Manhattan and London, have gone public. India's debate, for example, was set off when a government censorship commission recommended that "if in telling a story it is relevant to depict a passionate kiss or a nude figure," moviemakers should do so. After all, the commission noted, Indian directors never hesitate to feature bump-and-grind girly dances so provocative that they "may almost be called the performance of a unilateral act of coitus." The argument impressed few Indians...

Author: /time Magazine | Title: Asia: Beyond the Blue Horizon | 10/17/1969 | See Source »

Victor and Esther realize in the end that they are indeed happy. Their ululate success comes from the realization of life's complexity- the knowledge that rewards come in different forms and at different times. The performances of the three main characters depict this uneven nature of life. Michael Strong as Victor shapes his characterization to the events of the play. He balances between the over-confidence of a happily married policeman and the defensive anger of a middle-aged man who sees himself as a failure. As he slips from one phase to the other, he is complemented...

Author: By Phil Lebowitz, | Title: The Price at the Wilbur through Saturday | 10/7/1969 | See Source »

...Great Britain despite many love affairs and several illegitimate children. As his son almost boastfully put it: "He was probably the greatest natural Don Juan in the history of British politics. To portray his life without taking into account this side of his personality is like failing to depict Beethoven's handicap of, deafness during the composition of his greatest works...

Author: /time Magazine | Title: Essay: PUBLIC FIGURES AND THEIR PRIVATE LIVES | 8/22/1969 | See Source »

Romantic art's goal is less to depict fixed and formal qualities tan to dynamic fluctuations, the fluid reality of Nature...

Author: By Chris Rochester, | Title: Gustav Mahler | 8/19/1969 | See Source »

Perhaps there is a reason; painting is essentially a more voluptuous mode of expression than drawing. To judge from 16th century copies of his now lost Leda and the Swan, he could depict sensuous nudes when he chose. But the drawing that survives of Leda's head shows a lady ethereal and detached. Surviving also are the austere and delicate silverpoint studies of hands, believed to have been made for the portrait of Ginevra dei Benci. The painting itself, in Washington's National Gallery, has been cut off just below the shoulders (though no one knows in which...

Author: /time Magazine | Title: Graphics: A Man of Infinite Possibilities | 6/20/1969 | See Source »

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