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...nine years Baldy has sought to depict the plight of the reasonable Southerner who, like himself, stands aghast between the extremists. He has, for example, shown two antagonists locked in mortal combat, one labeled "Reality," the other labeled "Tradition." The caption: "It's a tough fight, Ma!" Baldy put "Reality...

Author: /time Magazine | Title: The Press: Voice from the Middle | 5/11/1959 | See Source »

Secretary-General Landa ordered the murals boarded up, explained plaintively: "The actors wanted the mural to depict scenes related to their art." Siqueiros promptly let out a cry of rage, called it wanton censorship, threatened to take the issue to the actors themselves, by "force if necessary; jail does not frighten me." With the fire of battle glinting once again in his green eyes, Siqueiros scoffed: "What kind of tragedy did you expect me to portray in a mural?°A Greek tragedy? Nonsense. For me, tragedy in present-day Mexico is the struggle of labor to become independent...

Author: /time Magazine | Title: Art: Red & Hot | 5/11/1959 | See Source »

Once you get the hang of interpreting these things, it is like having a new world laid out before you. You know, for example, that 13 lines against a background of mud, colored not too dark, nor yet too light, would depict a carelessly raked garden, planted heavily to leeks, in a Tibetan lamasery...

Author: /time Magazine | Title: Letters, Apr. 6, 1959 | 4/6/1959 | See Source »

...thought, ye who enter)-refer to the cup of forgetfulness ancient Greeks thought was drunk before crossing the river Lethe. The dragon-fighting lions (probably an oblique reference to political feuds) derived from a sketch by Leonardo da Vinci. The elephant with castle was a symbol used to depict Eleazar's slaying of the beast of King Antiochus (/ Maccabees 6:17-46), a feat of self-sacrifice interpreted as prefiguring Christ's martyrdom. But many of Vicino Orsini's fantasies remain obscure. He set out to create a garden unlike any ever seen-and he succeeded...

Author: /time Magazine | Title: Art: MARVELS OF BOMARZO | 7/14/1958 | See Source »

...Easter story. Van Dyck chose to depict the high moment of treachery when Judas kisses Jesus, betraying his identity to the onrushing soldiers and servants of Jerusalem's chief priests and elders. For Van Dyck, who was Peter Paul Rubens' favorite pupil, such a scene of action-packed drama was an ideal subject. He gave it all of his young mastery of whirling shapes, lurid lighting and heightened emotion...

Author: /time Magazine | Title: Art: MOMENT OF TREACHERY | 4/7/1958 | See Source »

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