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...principal singers, Jo Linch as the medium and Barbara Blanchard as her daughter, contribute performances quite astonishing for their power and surety. Miss Linch's voice, while never becoming harsh, possesses just the right quality to project the rather angular music which Menotti has written to depict the spiritualist's descent into horror. And Miss Blanchard, whose singing carries a lovely, lyrical quality did not faulter for a moment even in the highest passages. Her rendition of the ballad-like piece which opens the opera was entirely captivating. Both young women, furthermore, are not only fine singers but actresses...

Author: By Thomas K. Schwabacher, | Title: The Medium and The Telephone | 4/12/1957 | See Source »

...astonished at the hostile reaction observed when he "Egyptianized'' all foreign business. He thought he was just taking one more step toward purging Egypt of exploiting foreigners, apparently expected British and French investors would still invest in all-Egyptian enterprises-even though posters all over Egypt depict the British and French as ogres and snakes...

Author: /time Magazine | Title: Foreign News: NASSER: THE OTHER MAN | 3/11/1957 | See Source »

...Callas' impersonating Egypt's Queen Hatshepsut at a charity ball; if memory serves, beloved Queen Hatshepsut [1501 B.C.], as protection against retribution for being a female monarch, was herself forced to resort to disguise. Stone images exhibited in the Egyptian wing of the Metropolitan Museum of Art depict her wearing a beard. It would be interesting to know whether Miss Callas' impersonation was authentic to this degree. M. L. PENNEY Chicago...

Author: /time Magazine | Title: Letters, Feb. 11, 1957 | 2/11/1957 | See Source »

...problem, Kerr invites both artsakists and sinsniffers to meet on St.Thomas Aquinas' conception of integrity in art, which Kerr interprets as a wholeness and honesty in relation to life that makes a book or play or picture moral in the highest sense, no matter what evil it may depict. In that sense, nothing truly beautiful could ever be called bad, nothing bad could ever be called beautiful. Esthetics and ethics would be the same. But that, Kerr admits, could probably come to pass only in an ideal world...

Author: /time Magazine | Title: Religion: The Catholic as Censor | 12/24/1956 | See Source »

...most conspicuous example of this false and American idealism is in Giant's handling of the segregation issue, through the somewhat less flagrant problem of Texan prejudice against Mexican-Americans. The movie does depict the trend in Mexican-Texan relations correctly--only the old settlers do not understand the "messican;" the new generation accepts and even encourages him. But as usual, Hollywood has oversimplified, exaggerating the problem in order to come up with a strikingly optimistic conclusion. No Mexican-American would ever be ejected from any restaurant as in the movie. On the other hand, no son of a Benedict...

Author: By Frank R. Safford, | Title: Giant or Peace and Prosperity | 11/14/1956 | See Source »

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