Word: depth
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Dates: during 2000-2009
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...said the answer is education. “I feel like this mostly stems from the fact that people don’t understand what ethnic studies is,” she said. “People who make those arguments haven’t delved into it in depth. It’s a very challenging field...
...combo therapy. Their main concern is safety: Are psychotherapists really equipped to teach yoga? "Yes, but only with extensive yoga training," says Bo Forbes, a clinical psychologist, yoga teacher, and founder and director of the Center for Integrative Yoga Therapeutics in Boston. She believes that psychotherapists should have in-depth study of yoga and a strong background in anatomy and alignment to limit client injuries. Currently, there are no official licenses or standards of practice for yoga therapy...
...portfolios needed close examination. It is also true that the private capital firms which plan to buy toxic assets using taxpayer money were not enticed into the new program based on an illusion. The banking system is still terribly weak and there is almost no one with an in-depth knowledge of the credit market tapestry who does not believe that there are hundreds of billions of Confederate dollars being held in the vaults of the major banks. (See the 25 people to blame for the financial crisis...
...philosophical film in a conversation with NYU professor Avital Ronell, the first onscreen thinker after “Matrix Revolutions” celebrity-philosopher Cornel West.Philosophical thinking has traditionally taken place in the written form, which gives both its deliverer and its audience enough time to explore ideas in-depth and parse out the details of the arguments. Taylor is justified, then, in the fast-paced aspect of her endeavor—with only 10 minutes to talk through their ideas, none of these thinkers are about to make a philosophical break-through. Ronell tells a helpful anecdote about Heidegger?...
...Italian High Renaissance; but the rougher surface of the canvas seems to free Titian to make visible his brushwork and lend his gilt-framed work a subdued and textured frisson. Titian dominates this first room of the exhibition, and his remarkable portrait of Pope Paul III introduces the psychological depths that set off these Venetians from their southern predecessors. The pope sits in a sea of faded velvet—his mantle and his chair—a fading man himself, not proud, with slightly bowed shoulders. His hands have a vitality and firmness that is balanced against his reticent...