Word: depths
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Dates: during 2000-2009
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...Wachowskis' desktop dervishes invented so many new techniques they had to create a bunch of new names for them. As effects supervisor John Gaeta itemizes them in the forthcoming book The Art of Speed Racer: "'Faux lensing' toward a 'Photo Anime' film format (including designer shape de-focus, infinite depth of field, bling and super-bling flare enhancements and candy-inspired 'Techno Color')." You can tell that everyone had liberated fun making the film; it feels like the group effort of Mensa kids let loose in the paint store. More than the story of the Racer family, Speed Racer...
...hilarious quests and heartfelt moments would ensue after this agreement, but that’s not the case. Rather, what occurs is a boring, forgettable, and poorly-written period of nothingness. The film is essentially a basic plot outline strung together by scenes of empty dialogue. Instead of adding depth and intelligence to the story, the screenwriters become redundant, reiterating the premise of the film over and over again. The casting company even forgot to do their job as well, as one of the most distracting issues in the movie is the gap between the actors’ ages...
This collaboration continues through dialogue that happens daily—through task force and construction mitigation meetings, the comprehensive survey and needs assessment that will inform future programs and partnerships, and the countless informal conversations between Harvard’s staff and the community. As we begin more in-depth planning, these interactions will continue to guide our thinking...
Though Harvard may not boast the same home run numbers, its depth makes the line up more than capable. Every Crimson batter is hitting at a clip above .250 while five players, Lauren Murphy (.361), Ellen Macadam (.348), Emily Henderson (.341), Jess Pledger (.315), and Jen Francis (.313) are all above...
...more vivid, you can go right to the body on the street in Baghdad and can have that up on the screen,” Franzen said. “I’m engaged in a lifelong struggle to produce texts that have that kind of interior depth that is not immediately apparent, that repay some kind of careful analysis without losing people who just want to follow along on the surface.” —Staff writer Alison S. Cohn can be reached acohn@fas.harvard.edu...