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...appointees give the impression of being positively intoxicated by the prospect of figuring out how everything works. Obama's closest aides like to say he isn't a "wonk" like Clinton, immersed in policy details to the point of immobility, but clearly the new President has a breadth and depth of policy interests, especially in comparison with his immediate predecessor. (See the best of the Obama Inaugural merchandise...

Author: /time Magazine | Title: Obama Promises New Destiny, Work Begins Today | 1/21/2009 | See Source »

...abandoned. The enemy was advancing. The snow was stained with blood. At a moment when the outcome of our revolution was most in doubt, the father of our nation ordered these words be read to the people: "Let it be told to the future world ... that in the depth of winter, when nothing but hope and virtue could survive ... that the city and the country, alarmed at one common danger, came forth to meet...

Author: /time Magazine | Title: Obama's Inaugural Address: The Full Text | 1/20/2009 | See Source »

...Given the breadth and depth of French history it's inevitable that assembling even a snapshot of it under a single Parisian roof would require gigantic effort. Whatever building is chosen is sure to be massively transformed as well. Perhaps la Maison de l'Histoire de France may end up serving as the monument to Sarkozy's presidency after...

Author: /time Magazine | Title: What's Wrong With a Museum of French History? | 1/18/2009 | See Source »

...answers to the central questions: What is painting? What is art? What is form? Wyeth is no heroic rearguard defender against that trend. But, in a tradition going back to Rembrandt and to the roots of art, he insists on exploring something else: the condition of nature and the depth of the human spirit...

Author: /time Magazine | Title: TIME Cover: Andrew Wyeth's World | 1/16/2009 | See Source »

...early as 1450, is more like drawing than watercoloring in technique. The artist works over still wet washes of water-soluble pigment with a brush dipped in concentrated color and squeezed almost dry. The stiff bristles, flattened and frayed looking, add textures of weight and depth. "I use it for the grass on a hill, for example, or the bark of a tree," says Wyeth. * The National Gallery of Norway in Oslo has the 1959 tempera, Albert's Son, by donation from former U.S. Ambassador to Norway L. Corrin Strong...

Author: /time Magazine | Title: TIME Cover: Andrew Wyeth's World | 1/16/2009 | See Source »

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