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...studio was squalid in those days of 1907, the painting in it, Les Démoiselles d'Avignon (16), struck Picasso's fellow artists as little short of mad. André Derain feared it presaged Picasso's suicide, and its hacked dislocation alarmed Braque, who compared the performance to "someone drinking gasoline and spitting fire." Perhaps it is too simple to say that Cubism "came out of" Demoiselles, for the raggedness, fury and inconsistencies of the canvas were alien to the spirit of calm inquiry that afterward pervaded Cubist painting. But Demoiselles was so extreme that...

Author: /time Magazine | Title: Art: Anatomy of a Minotaur | 11/1/1971 | See Source »

...went back to his drawing board in earnest. He started clipping magazine pictures, now carries a Pentax camera to snap his own. He likes to think of himself as a film director, casting, arranging and often creating his own characters. The Dance, for example, was inspired by a Derain painting, which was itself inspired by a photograph of off-duty soldiers in a dance hall. Somehow, after the chicken liver and the matzoh-ball soup at a family bar mitzvah, the idea for the painting jelled in Kanovitz's mind. Any resemblance to Derain-or for that matter, that...

Author: /time Magazine | Title: Painting: Realer than Real | 8/16/1968 | See Source »

...that time, the sun shone in Vlaminck's pictures with greater fire and brilliance than in those of any fellow Fauve, including Matisse, Braque or Derain. Two dozen of these early paintings recently gathered together for an exhibit by Manhattan Dealer Klaus Perls showed the public what had rarely been seen by any but a few diligent art historians: Vlaminck's early work, taut with a passionate precision, is the finest of his career (see color...

Author: /time Magazine | Title: Painting: Fleeting Fauve | 5/24/1968 | See Source »

...masters from before 1930 is artificial and unfair. The work is simply not of the same order." He is at least 91.23% correct, though the distinction is not likely to disturb the average museumgoer, who will revel in the early, if decidedly familiar canvases by Matisse, Chagall, Braque, Dufy, Derain, Vlaminck and other cubist and fauvist favorites. Particularly impressive: Picasso's rarely shown room-sized stage curtain from the 1917 production of Diaghilev's ballet, Parade...

Author: /time Magazine | Title: Painting: Helas pour la Grandeur | 4/12/1968 | See Source »

...leaving for New York, found a suitcase with four fake paintings, forged custom stamps and certificates by experts, all addressed to Dallas. Lessard has been acting as "private secretary" to a dandy named Fernand Legros, who last March in Paris sent a photo of a painting supposedly by Andre Derain to an auction house, only to have the painter's widow question its authenticity. Two Dufys and a Vlaminck offered by Legros to the house were handed over to police...

Author: /time Magazine | Title: Painting: Meadows' Luck | 5/19/1967 | See Source »

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