Word: derains
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Dates: during 1940-1949
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Then Alfred Maurer fell into revolutionary company. At Gertrude and Leo Stein's famous Saturday evenings, he met some of the pioneers of modern French painting. Around Paris he caught glimpses of the work of les fauves, the "wild beasts"-Matisse, Rouault, Dufy, Derain -whose daring compositions and brilliant colors were setting French art on its ear. His own academic interiors and portraits looked drab and uninspired by comparison. In 1904, renouncing his old formal ways, he flirted with impressionism and became the first U.S. artist to follow up the experiments of les fauves...
Sticks of Dynamite. To represent himself better, he took the brightest paints he could find and laid them on in exuberant stabs and slashes. His friend Derain called Matisse's colors "so many sticks of dynamite," and in the Paris Autumn Salon of 1905 the stuff exploded. Matisse's paintings had been put in the same room with those of other crazy young men: Rouault, Dufy, Derain and Vlaminck. Almost everyone who peeked into that room came away reeling with outrage. The new painters were just fauves, they decided-wild beasts-and Henri Matisse the wildest...
Could Paris produce a new generation of painters comparable to its aging masters? Matisse, Bonnard and Rouault were all crowding 80, Picasso and Braque were close to 70. Utrillo, Vlaminck and Derain were old too, and out of the swim as well. Surrealism was all but dead. As of last week, only one "group" of painters in Paris had any recognizable form. They were "the twelve."* Nine of the twelve have already had shows this season...
Four of the painters in the show, Derain (66), Van Dongen (67), Segonzac (63), and Vlaminck (70), had been suspended from public showing for the past year (because they exhibited in Berlin during the war). Now their year of quiet humiliation was up, and the weary old foursome could creep into the daylight once again...
...weird orchards of modern art. Their shabby Latin Quarter ateliers held the first green fruits of freedom. The sidewalk cafés of Paris rocked and rang with their back-slapping and boasting. Les Fauves, "the wild beasts" and their far-from-tame friends had taken over-Matisse, Braque, Derain, Duchamp, Rouault, and Picasso in command...