Word: derains
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Several answered with enthusiastic, informative letters. Maurice de Vlaminck, Georges Rouault and Marc Chagall sent along some of their own writings. Andre Derain's reply was a collector's item, a beautiful letter apparently done with brush or drawing pen. The best came last, from Raoul Dufy, who wrote that he wanted to help and would like a favor in return. He asked Dalton to find a house for him to rent in Tucson, where he could go to treat his arthritis. Dalton got busy and, as requested, kept the news of the trip to himself...
André Derain, too, is now working in ceramics. A big, heavy old man of 70, Derain lives in an 18th Century mansion outside of Paris, draws for two or three hours a day in the park surrounding his house. In his youth his art reflected first Matisse's use of brilliant colors, and later, cubism. Since then it has grown steadily more simple and calm. Derain's subjects and his manner of painting them are never startling, but their clarity and order hold the eye. "The great danger for art," he says, "lies in an excess...
...arrived' at 50 it's not too serious; he may still be admired in a cafe if not in a museum and his hopes for the future are treated with respect. France's best painters-Picasso, Matisse, Rouault, Chagall, Braque, Utrillo, Derain, Dufy, Vlaminck and Léger-are all in their 60s and 70s. These young-old men are still the Alps of the modern art world...
Other paintings on display at the gallery-each in four to six copies-were by Picasso, Dufy, Klee, Vlaminck, Signac and Derain. The facsimiles had been made by 28-year-old Janine Aeply and her husband Jean Fautrier on hand presses in a little studio ten miles outside Paris...
Then Alfred Maurer fell into revolutionary company. At Gertrude and Leo Stein's famous Saturday evenings, he met some of the pioneers of modern French painting. Around Paris he caught glimpses of the work of les fauves, the "wild beasts"-Matisse, Rouault, Dufy, Derain -whose daring compositions and brilliant colors were setting French art on its ear. His own academic interiors and portraits looked drab and uninspired by comparison. In 1904, renouncing his old formal ways, he flirted with impressionism and became the first U.S. artist to follow up the experiments of les fauves...