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Word: derfully (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...uncanny way this phrase from Mahler's Das Lied von der Erde epitomizes my exact sentiments as I left Sanders Theatre Friday night after hearing the HRO's second concert of the season. It was one of those concerts at which one wished one could immerse oneself totally in the music and forgive all flaws in the performance...

Author: By Robert G. Kopelson, | Title: Yannatos' Swan Song | 12/11/1967 | See Source »

...pieces of 20th century music--often recent compositions--as keystones of his concerts. On Friday he led the HRO in performances of Mozart's Overture to Die Zauberfloete, the new clarinet concerto by professor emeritus Walter Piston, and that song to end all songs, Mahler's Das Lied von der Erde. What more could one ask of an evening...

Author: By Robert G. Kopelson, | Title: Yannatos' Swan Song | 12/11/1967 | See Source »

...Lied von der Erde was to have been the HRO's tour de force, as well as something of a swan song for Yannatos, who will be on leave next semester. The work requires a huge orchestra as well as mezzo-soprano and tenor soloists. Each of the six movements sets to music texts from a collection of Chinese poetry translated into German called Die chinesische Floete. Together they take an entire hour to perform. The work was thus the weightiest on the program, and received the bulk of rehearsal time since the HRO's last concert a month...

Author: By Robert G. Kopelson, | Title: Yannatos' Swan Song | 12/11/1967 | See Source »

...Harvard-Radcliffe Orchestra will present a concert at 8:30 p.m. tonight in Sanders Theatre. James D. Yannatos will conduct a program of Mahler, Das Lied von der Erde, Mozart, Overture to the Magic Flute, and Walter Piston, Clarinet Concerto. Tickets available at the door...

Author: NO WRITER ATTRIBUTED | Title: Concert | 12/8/1967 | See Source »

...area and over-power the chairs. The pattern of lines incised into the cement floor is taken into account and even the accordion walls holding windows and louvres at the back of the room are used to display furniture. All is appropriate and sufficient, no more. Katayama takes van der Rohe's maxim "less is more" as his own--his aim is to parry and eliminate, always saying with the barest essentials more than would be said with much encumbrance and ornament. The beauty of his design is that he leaves the chairs to talk for themselves. In fact...

Author: By Barth Schwartz, | Title: Form from Process | 12/7/1967 | See Source »

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