Word: derfully
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Dates: during 1960-1969
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...even if its effect is to interfere with the war effort, constitutes free speech and is protected by the First Amendment. However, the court also contended that when dissenters go past verbal criticism and be come parties to specific illegal acts, they then become liable to prosecution un der conspiracy laws...
...major political parties over how to cope with the burden of the Nazi past. Arguing that the German people can only expiate their national guilt by bringing the wartime offenders to jus tice, the Socialists favored abolishing the statute of limitations on all forms of mur der, including even homicide by civilians in peacetime...
...Gropius founded the Bauhaus in Weimar, probably the most stimulating and revolutionary design school of all time. Artists Paul Klee, Josef Albers and Wassily Kandinsky taught alongside Architects Marcel Breuer and Mies van der Rohe, among others, sharing their excitement with one another and the students. They brought together all the arts: weaving and furniture-making, as well as graphics, painting and architecture. Their work, regardless of medium, material or size, recognized the force of industrialism and the beauty of the machine. It was an entirely new way of looking at the world...
...sense, though, Gropius lived to be disappointed. Rationality in architecture, which reached its peak with the highly disciplined, exquisitely refined towers of Mies van der Rohe in the 1950s, has been cheapened by the slick, boxy, formula buildings that proliferate in every city like frozen dinners in a supermarket. The architect's imagination is now captured by bold, brutal structures of raw concrete; or intricate multilevel structures, designed with the help of a computer; or "pop" buildings that seem to revel in the chaotic interplay of roof lines, angles, windows, colors. Yet all the architects who rebel against Gropius...
...bright geometry, the equalizing of old and new materials, the applied and the fine arts. These qualities appeal not so much to the often fickle eye but to the intellect. "He was the original artist in a white coat," says the Museum of Contemporary Art's Jan van der Marck, "one of the first to place art in a laboratory situation...