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Word: derrah (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

starring Thomas Derrah, Sean Dugan, Karen MacDonald

Author: By David Kornhaber, CRIMSON STAFF WRITER | Title: The Idiots' Guide to Literature | 12/17/1999 | See Source »

...Fashioned by Durang as a kind of Charles Kinbote for the entire Western cannon, Garnett is as much a mangler of Russian literature as a scholar of it. (The Russian word for frustrated homosexual is Peter Tchaikovsky, she says). Played with unrelenting and downright hysterical formality by Thomas Derrah, Garnett becomes as loveable as she is overbearing. Listening to her roll her r's is worth the price of admission...

Author: By David Kornhaber, CRIMSON STAFF WRITER | Title: The Idiots' Guide to Literature | 12/17/1999 | See Source »

...cast uniformly shines. Paton brings a wonderfully deadpan delivery to the character of Michael Majeski, sounding strangely like a sedated Garrison Keillor, while Hall is wonderfully neurotic as Livia. Danson and Derrah, as Delfina Treadwell and her assistant are guilty pleasures--the most cartoonishly satirical elements in the story...

Author: By Dan Visel, CONTRIBUTING WRITER | Title: Don DeLillo Poses For Candid Camera | 2/12/1999 | See Source »

...their very different senses of familial responsibility provide Durang with endless amounts of comic fuel. Karen MacDonald (playing Margaret Brennan, Bette's mother) stomps across the stage as a wildly exaggerated version of an over-domineering mother in complete denial that anything is wrong with her family; Thomas Derrah mumbles his way convincingly through Margaret's stroke-victim husband Paul's virtually incomprehensible speeches. In contrast to Margaret Brennan's fruitless and overeager attempts to raise a normal family, Boo's parents, Karl and Soot, are the archetypal alcoholic husband and seriously oppressed sex-toy wife. Will Lebow, playing...

Author: By Erin E. Billings, CONTRIBUTING WRITER | Title: In `Bette and Boo,' Everything's Relative | 10/23/1998 | See Source »

...Woyzeck is as beaten and pushed around as its title character. The ART warps and distorts any semblance of coherence within the play. The production races through over twenty-five scenes in under sixty minutes, scarcely allowing the audience to breathe, let alone to analyze or reflect. Woyzeck (Thomas Derrah) drops through trap-doors, dashes up ladders and circles the stage. Scene changes resemble film cuts; music clips and sound effects disorient the audience MTV-style. The production behaves as a curious machine, moving in various, divergent directions...

Author: By Luke Z. Fenchel, | Title: 'Nature Unidealized, Transmogrified Humans' | 2/20/1997 | See Source »

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