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...cast uniformly shines. Paton brings a wonderfully deadpan delivery to the character of Michael Majeski, sounding strangely like a sedated Garrison Keillor, while Hall is wonderfully neurotic as Livia. Danson and Derrah, as Delfina Treadwell and her assistant are guilty pleasures--the most cartoonishly satirical elements in the story...

Author: By Dan Visel, CONTRIBUTING WRITER | Title: Don DeLillo Poses For Candid Camera | 2/12/1999 | See Source »

...their very different senses of familial responsibility provide Durang with endless amounts of comic fuel. Karen MacDonald (playing Margaret Brennan, Bette's mother) stomps across the stage as a wildly exaggerated version of an over-domineering mother in complete denial that anything is wrong with her family; Thomas Derrah mumbles his way convincingly through Margaret's stroke-victim husband Paul's virtually incomprehensible speeches. In contrast to Margaret Brennan's fruitless and overeager attempts to raise a normal family, Boo's parents, Karl and Soot, are the archetypal alcoholic husband and seriously oppressed sex-toy wife. Will Lebow, playing...

Author: By Erin E. Billings, CONTRIBUTING WRITER | Title: In `Bette and Boo,' Everything's Relative | 10/23/1998 | See Source »

...Woyzeck is as beaten and pushed around as its title character. The ART warps and distorts any semblance of coherence within the play. The production races through over twenty-five scenes in under sixty minutes, scarcely allowing the audience to breathe, let alone to analyze or reflect. Woyzeck (Thomas Derrah) drops through trap-doors, dashes up ladders and circles the stage. Scene changes resemble film cuts; music clips and sound effects disorient the audience MTV-style. The production behaves as a curious machine, moving in various, divergent directions...

Author: By Luke Z. Fenchel, | Title: 'Nature Unidealized, Transmogrified Humans' | 2/20/1997 | See Source »

...loft's cavernous elevator emerge some of the play's best performances. Sissy Bemiss Darnley (J. Smith Cameron), Nan's horrid daughter, rages through the studio proclaiming with monosyllabic hillarity--"It's hip, it's hot, it's space, it's art, it's a loft." Marcus (Thomas Derrah) and Katrin Dowling (Francine Torres, Ma Ubu of "Ubu Rock"), a pair of kooky magazine publishers and the token true hipsters of the production, persuade Alex to photograph their daughter Guernica's sixth birthday party...

Author: By Sarah C. Dry, | Title: Rudnick Turns Politics Into Farce | 5/17/1996 | See Source »

...musical numbers in "Ubu Rock" are wonderful. Most of the songs are catchy rock tunes with whacked-out lyrics, but the most infamous is "The Button Song." Derrah (in another role as a crotchety general) screams obscenities at the audience in between verses of the marching song: "My jacket has three buttons, three buttons. My jacket has four buttons, four buttons. Fuck you, you lazy assholes!" and so on. He and his back-up singers won't stop the song until the audience throws something at them: water bottles, bananas, broccoli, chickens. Really...

Author: NO WRITER ATTRIBUTED | Title: Gross Poles Run Amok | 3/14/1996 | See Source »

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