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...lost sight of the most important objective of any Hong Kong filmmaker: pleasing the audience. In his new movie, Seven Swords, he has dipped into the endless supply of old Chinese wuxia (martial arts) novels to come up with a gritty and extremely violent epic. Noble warriors literally descend from the mountaintop to protect an endangered village from an implacable evil?think Kurosawa's Seven Samurai in Qing-dynasty China. While the attempts at romantic subplots fizzle and the film is paced so strangely that it feels both too long and too short, for fans of wuxia, Seven Swords will...
Each year, hundreds of high-school and college students from across the nation and around the world descend on Harvard’s grassy campus in Cambridge to attend the Summer School, forking over more than $4,000—the equivalent of an entire semester’s tuition at some state schools—to take a course in Harvard’s hallowed halls...
...Immediate, ah, trouble," radioed someone in Flight 123's cockpit, using English, the language of international aviation. "Request turn back to Haneda. Descend and maintain 220 [22,000 ft.]." Two minutes later, a member of the cockpit crew pushed a switch that sent an emergency code signal, "7700," flashing onto radar screens in Tokyo. Asked Tokyo control: "Confirm you are declared emergency. Is that right?" Flight 123: "Yes. Affirmative...
...enterprise began as a kind of offshoot of the agricultural reforms. Mao's "people's communes," for all their faults, at least guaranteed everyone in the rural economy a job of sorts. Deng and his lieutenants feared that breaking up the communes would cause masses of jobless peasants to descend on the cities, where there might be no work for them either. So beginning in the late 1970s, individual farmers and village collectives were permitted to start sideline businesses and keep any profits...
...human-factor investigations, ergonomics, was not yet current, but Stumpf made charts, diagrams and, eventually, time-lapse films, becoming a sort of Muybridge of the 9-to-5 realm. In the mid-'70s at Herman Miller, he began turning that research into drawings. The Ergon is a descendant of Eames' designs, an out-of-sequence missing link between the lucid but barebones molded-plywood chair (1946) and the voluptuous, baroque lounge chair (1956) so beloved of big men with dens. The quiet swerves of Ergon's separate seat and back are subtle, like Noguchi stones made soft and purposeful...